The announcement was made via Shafeeq's Social Media accounts and he posted the first details of The Empty Address. Only in a short time, there has been a great deal of interest generated from both the entertainment and fashion industry as well as from his huge fan base around the globe. As per the information released regarding The Empty Address, the film will be directed by Sagar Joshi and principal photography will be filmed in both the United Arab Emirates and in India; however, the filmmakers have not yet released information about either of those two aspects of the production. More information and announcements about The Empty Address should be forthcoming over the next several weeks.

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Indian fashion entrepreneur and film producer 'Shafeeq Ur Rahman' was born in Hyderabad on January 25, 1985. Coming from a very respectable and politically connected family, Khalil Ur Rahman (his father) who served as a Member of the Rajya Sabha and had associations with both the Ministry of Civil Aviation as well as the Ministry of Energy's Executive Committee is where this connection originates from. His mother's family also represents an elite Jagirdar family which is regarded as one of Hyderabad's prominent elite families and has a strong association with the city and its historical importance and cultural richness. Shafeeq Ur Rahman also shares a legacy of public service, social influence, and leadership through both sides of his family. His marriage to Sahebzadi Maheen Nikhath (Royal Nizam of Hyderabad) adds another layer of connection to the historical aristocratic heritage of Hyderabad.

Shafeeq ur Rahman has been a part of the Fashion & Lifestyle Industry as a famous name. He established The Star Life Hyderabad, which has created and managed over 200+ Fashion & Lifestyle Events throughout India, as well as multiple international locations. These events are crucial in creating International visibility for Indian fashion, designers, emerging talent and cultural creativity around the world. Shafeeq’s efforts have provided many opportunities for aspiring models, designers and other creative professionals while simultaneously expanding the global reach of Indian Fashion. In February 2022, Shafeeq was named a city partner of Fashion TV (FTV), which helped him strengthen his association with global fashion and lifestyle media as a whole.

Shafeeq ur Rahman's accomplishments have been recognized with a variety of prestigious awards and accolades, including the International Glory Award, the Global Icon Award, and the Man of the People Award for his significant contributions in areas; such as entrepreneurship, fashion, event planning and social participation. His growing impact on various sectors has also solidified him as a well-known person who effectively unites fashion, entertainment and business; nationally and internationally.

Shafeeq ur Rahman has continuously created a body of work in Film and Television Production alongside his Fashion Career. Some examples of his previous production ventures include; The Third Hacker, Bro Code, Dehleez, Nazar, Savdhaan India Crime Alert, Zindagi Abhi Baaki Hai Mere Ghost and Love in Dehradun. These productions have demonstrated his commitment to promoting diversity in storytelling across many genres and types of media. With The Empty Address, he is now making an even bigger commitment to International Cinema by leading the charge as well as using his creativity to bring together talent and production from multiple countries in an attempt to reach an even larger global audience.

As there is quite some excitement around the release of "The Empty Address", many people expect this film project to mark a significant transition for Shafeeq ur Rahman, who has transitioned from being an exceptionally successful fashion entrepreneur and event planner to now co-producing films in Hollywood. As he continues to pursue his goal of producing globally appealing entertainment while simultaneously maintaining ties to his Indian heritage, purchasing internationally located production facilities with multi-lingual distribution plans will allow him to reach a diverse range of audiences across multiple countries.

Further announcements related to the cast, storyline and production timeline for The Empty Address will be made public soon. Thus, The Empty Address will be one of the more highly anticipated projects coming out of Shafeeq Ur Rahman's growing collection of creative works.

The controversy surrounding Janhvi Kapoor’s role in the Ram Charan-starrer Peddi has taken a new turn, with the actress receiving support from her makeup artist Savleen Kaur Manchanda and Telugu actor Dimple Hayathi. Both have argued that criticism over the depiction of female characters should be directed at filmmakers and creative decisions rather than actresses.

The debate began after audiences raised objections to the portrayal of Janhvi Kapoor’s character, Achiyamma, alleging that the film focused excessively on her physical appearance instead of developing her role and narrative. The criticism quickly spread across social media, sparking discussions on the representation of women in mainstream cinema.

According to reports shared by Janhvi’s makeup artist, the actor had objected to certain scenes during the post-production stage. Savleen Kaur Manchanda claimed that Janhvi had already communicated her professional boundaries regarding specific camera angles during filming, but those concerns were allegedly not reflected in the final edit.

Savleen further alleged that the director chose to retain the scenes despite the actress's objections, prioritising commercial considerations over her consent and comfort.

Dimple Hayathi Questions Industry Practices

Telugu and Tamil actor Dimple Hayathi also came out in support of Janhvi Kapoor and questioned the tendency to blame actresses for how their characters are portrayed.

In a post on social media, Dimple said discussions around the writing of female characters were necessary and welcomed the fact that audiences were openly addressing the issue. She argued that actors often perform roles that are offered to them, while decisions regarding presentation and characterization are shaped by writers, directors and producers.

According to Dimple, the larger problem lies within a system that believes glamour and nudity are the primary ways to market films. She added that actresses are frequently confined to limited roles, whereas male actors enjoy greater freedom in hero-centric narratives.

Call for Better Representation

Dimple Hayathi said filmmaking is a collaborative process and that responsibility for weak female characters should not be placed solely on the performers. She stressed the need for healthier working environments and more meaningful opportunities for actresses to showcase their talent.

She added that if a female character lacks depth, accountability should rest with the writing and creative choices made by filmmakers rather than with the woman portraying the role.

Director Promises Changes

The controversy erupted after the release of Peddi, directed by Buchi Babu Sana and headlined by Ram Charan. Audience criticism was followed by social media posts from fan accounts claiming that Janhvi had earlier raised objections regarding certain camera angles.

As the debate intensified, director Buchi Babu Sana publicly apologised and reportedly assured viewers that the scenes considered objectionable would be modified.

The episode has reignited broader conversations within the industry about consent, creative control and the portrayal of women in commercial cinema. While opinions remain divided, many in the film fraternity believe the discussion could encourage more responsible storytelling and stronger female representation in future projects.

Actor Rahul Roy, who rose to fame with the blockbuster film Aashiqui, made a special appearance on the ‘90s Nostalgia Special’ episode of Laughter Chefs – Unlimited Entertainment Season 3. The episode featured several humorous exchanges, with comedian Krushna Abhishek leaving the actor blushing after joking that he once had “300 girlfriends”.

Rahul Roy participated in the show as a guest and was paired with contestant Nia Sharma for a cooking challenge. Actors Ankita Lokhande and Tejasswi Prakash also joined him on stage and recreated moments from his popular songs, bringing back memories of the 1990s.

During one of the conversations, Krushna Abhishek playfully asked Rahul Roy whether reports about him having 300 girlfriends were true. The actor reacted with a smile and appeared visibly embarrassed, while fellow contestants Vicky Jain, Abhishek Kumar, Karan Kundrra and Elvish Yadav laughed along.

Bharti Singh added to the fun by teasing contestants Samarth Jurel and Abhishek Kumar, saying that while Rahul Roy reportedly had hundreds of admirers, the younger contestants struggled to maintain even one relationship. Krushna continued the banter, prompting laughter from everyone on the set.

Nostalgic Conversations

Bharti Singh also asked Rahul Roy whether he had ever been caught by one girlfriend while spending time with another. The actor simply replied in the negative. Krushna then joked that the absence of social media in those days made life easier for celebrities.

The comedian further recalled stories from Rahul Roy’s peak stardom, saying female fans would often tear his clothes during public appearances. Rahul acknowledged the claim with a smile, adding another nostalgic moment to the episode.

Emotional Instagram Post

Rahul Roy recently found himself in the spotlight after appearing in social media reels with a content creator. Some users criticised the videos and questioned his expressions, leading the actor to share an emotional note on Instagram.

In the post, Rahul said he was working honestly and with dignity to meet financial obligations linked to legal matters that predated his brain stroke. He urged critics not to mock his struggles and said staying active through work gave him a sense of purpose.

The actor also wrote that he wished to continue working for as long as possible, despite occasional pain following his health challenges.

Journey From ‘Aashiqui’ to ‘Bigg Boss’

Rahul Roy became an overnight sensation with Aashiqui in 1990. He later appeared in films such as Sapne Saajan Ke and Phir Teri Kahani Yaad Aayi, strengthening his image as a romantic hero.

Although several later films failed to replicate the success of his debut, Rahul returned to the spotlight after winning the inaugural season of Bigg Boss in 2006. He later ventured into film production and continued acting in independent projects.

Most recently, the actor was seen in the film Agra in 2023. His appearance on Laughter Chefs offered fans another glimpse of the actor whose songs and films defined an era for many viewers.

Filmmaker Vikram Bhatt has opened up about his 70-day stay in Udaipur jail following his arrest in an alleged ₹30-crore fraud case, describing the experience as physically and emotionally exhausting. Speaking about the period, Bhatt said his health deteriorated significantly while he was in custody and claimed that he came close to losing his life after developing jaundice alongside complications arising from an existing autoimmune condition.

In an interview with Siddharth Kannan, Bhatt recalled that he shared a barrack with around 60 to 80 inmates. Despite the difficult circumstances, he said fellow prisoners extended support and helped him cope with daily life inside the jail. According to the filmmaker, inmates brought him food, looked after his clothes and affectionately referred to him as “Bhishma Pitamah”, often asking him to narrate horror stories at night.

Vikram Bhatt and his wife, Shwetambari, were arrested by Rajasthan Police in December 2025 in connection with allegations of financial fraud. The couple has denied wrongdoing, and the matter remains subject to legal proceedings.

Health Problems Worsened

Bhatt said his existing battle with ankylosing spondylitis, an autoimmune disease that causes chronic pain in joints and muscles, became more severe during the winter months. He described struggling to sleep because prolonged pressure on either side of his body would trigger pain.

“I almost died there. I still don’t understand the politics involved, because people around me were good to me,” Bhatt said, adding that he developed jaundice during his stay in jail.

The filmmaker claimed that despite suffering from high fever and weakness, there was a delay in shifting him to a hospital. He said fellow inmates covered him with their blankets and looked after him while he repeatedly sought medical attention.

Support From Film Industry

After his release, Bhatt said several people from the film fraternity reached out to check on his well-being. He particularly mentioned veteran actor Mithun Chakraborty and Sanjay Dutt, saying their calls meant a great deal to him.

Bhatt noted that Sanjay Dutt’s concern was especially touching because the two had never worked together professionally. Referring to actor Akshay Kumar, he said he had no expectations because they did not share a close friendship.

Industry Bonds

The filmmaker also spoke about his long-standing friendship with Ajay Devgn, describing his call after the ordeal as natural given their decades-old relationship. According to Bhatt, every relationship has its own dynamics and it is unrealistic to expect identical responses from everyone.

Bhatt said the experience taught him valuable lessons about human relationships and compassion, adding that support often comes from unexpected places.

Career and Future Projects

Known for directing and producing films such as Raaz, 1920, Haunted 3D and Raaz 3, Vikram Bhatt remains one of Bollywood’s prominent names in the horror and thriller genre. His recent remarks have offered a rare glimpse into the personal challenges he faced during a turbulent chapter of his life.

The filmmaker has not publicly spoken about his future projects in detail, but his comments have generated widespread discussion among fans and members of the film industry.

Actor Madhoo Shah has shared an incident from the making of the 1997 film Yeshwant, revealing that she and co-star Nana Patekar ended up slapping each other for real while shooting an emotionally charged sequence. Speaking in a recent interview, Madhoo said the unexpected moment occurred during a scene that required her character to break down in tears.

In an interview with Hindi Rush, the actress recalled that she had wanted to use glycerin to help portray the emotional sequence. However, according to her, Nana Patekar preferred a more natural approach and believed actors should experience emotions rather than rely on artificial aids.

Madhoo said that while rehearsals for the scene proceeded normally, Nana unexpectedly slapped her during the actual take. She claimed the slap was not part of what had been discussed earlier and caught her by surprise.

“He actually slapped me during the take. I was shocked because nothing like that happened during rehearsals. I got angry and instinctively slapped him back,” Madhoo said, describing herself as someone who reacted strongly at the time.

Scene Finished Earlier Than Planned

According to the actress, director Anil Mattoo had reserved an entire day to film the sequence, considering its emotional significance. However, she said the scene was completed much faster than expected because of the spontaneity and intensity captured on camera.

Madhoo said the sequence eventually appeared natural on screen and was wrapped up in half a day.

Despite the incident, the actress emphasized that Nana Patekar never treated her disrespectfully. She said his focus was always on performance and authenticity, adding that she learned several aspects of method acting while working with him.

Long Career Across Languages

Madhoo made her Hindi film debut opposite Ajay Devgn in Phool Aur Kaante (1991), which emerged as a commercial success. She went on to establish herself in Hindi and South Indian cinema with films including Roja (1992), Allari Priyudu (1992), Yodha (1992) and Gentleman (1993).

In Yeshwant, Madhoo played Ragini Lohar, the wife of Nana Patekar’s character, Inspector Yashwant Lohar. The film remains one of Patekar’s notable performances and is remembered for its gritty portrayal of a police officer fighting corruption.

‘Governor’ Set for Release

Madhoo is next set to appear in Governor, a film produced by Vipul Amrutlal Shah. The movie is scheduled to hit theatres on June 12, 2026.

Her comments about the Yeshwant shoot have sparked fresh interest among fans, offering a glimpse into the working styles of actors and filmmakers during an era when method acting and spontaneous performances often shaped memorable scenes on screen.

A glamorous, free-spirited widow named Rekha (Madhuri Dixit) frantically summons her estranged daughters; Jaya (Triptii Dimri), trapped in a conservative, childless marriage in Patna, and Sushma (Dharna Durga), a fledgling influencer; because her nosy neighbor Guptaji (Ravi Kishan) has turned up dead in her kitchen after a late-night Teen Patti game laced with lingering lust and gossip. What unfolds in their judgmental “Adarsh Colony” (with a wedding unfolding across the street for added chaos) is a night of chaotic cover-ups, family reckonings, patriarchal jabs, body-hiding hijinks, backstories, misunderstandings, near-misses, and tonal swings between slapstick, heavy monologues, and social commentary on how society polices women who refuse to conform. 

Hollywood and Bollywood have repeatedly shown how to master this tricky genre blend, offering a clear yardstick for why Maa Behen’ ultimately stumbles despite its promising ingredients. Rian Johnson’s Knives Out’ and Glass Onion’ weave family dysfunction, class satire, and mystery with earned twists and natural wit that never feels forced. Ryan Gosling and Russell Crowe’s The Nice Guys’ seamlessly mixes crime, personal betrayals, and hilarious incompetence, while the classic Clue’ escalates absurdity into farce with airtight timing and perfect ensemble chemistry. Even Game Night’ proves that ordinary people thrust into over-the-top thriller situations can deliver consistent laughs without losing narrative control. In Bollywood, Andhadhun’ balances dark twists and black comedy through clever, grounded plotting; Darlings, which shares some DNA here, delivers subversive female agency with quirky bite; and Triveni’s own Tumhari Sulu’ succeeded by rooting humor in authentic character moments rather than shouting its cleverness. Maa Behen’ aspires to join this club but is undermined by its script’s deep structural flaws. 

On the technical front, the crew largely delivers strong support that elevates the material where the writing falters. Cinematographer Anuj Rakesh Dhawan brings lively, dynamic camera work that captures the claustrophobic colony energy and chaotic household vibes with flair. Editor Dipika Kalra maintains a mostly zippy pace that keeps things from fully dragging, while production designer Ajay Chodankar crafts a convincing, lived-in middle-class world that feels authentic yet stylish enough for the satire. Music by Akashdeep Sengupta (songs) and Subhajit Mukherjee (score) adds peppy situational flair, and director Suresh Triveni orchestrates the ensemble hysterics with visible effort, channeling his knack for blending humor and heart. The cast, led by Madhuri Dixit’s commanding grace and fire, Triptii Dimri’s standout monologue moments, and strong turns from Dharna Durga, Ravi Kishan, Geetanjali Kulkarni, and others, pours genuine heart and soul into their roles.

Yet these strengths cannot fully mask the script’s narrative and structural shortcomings, which turn a killer premise into something that feels forceful, uneven, and often try-hard. The story opens with tremendous promise: Rekha’s late-night hysterical call pulls her daughters into the mess, setting up high-stakes deception amid patriarchal suspicion, family wounds, extramarital vibes, and small-town gossip. Backstories unfold through arguments and revelations, sometimes cleverly disguised via a true-crime TV show mechanic, the women bond over shared societal judgment as “controversial” figures, and the plot spirals with the “corpse” that refuses to stay dead, inspector intrusions, and escalating demands. However, the screenplay tries to juggle too many ambitions simultaneously; sharp feminist satire on the idealized Indian “Maa,” a mystery-thriller cover-up, broad comedic farce, and heavy social messaging, creating a constant tonal tug-of-war. 

This overloaded ambition leads to a self-aware style that constantly nudges the audience (“look how we’re subverting tropes!”), pulling viewers out of the story’s reality and making characters feel more like symbols than fully fleshed people. Serious themes of female autonomy, family betrayal, and patriarchal entitlement clash awkwardly with slapstick body-dragging and dance demands, without the smooth integration or earned catharsis seen in better films. Pacing suffers in the middle act, where repetitive hijinks, backstory dumps, and underdeveloped subplots stall momentum despite the zippy editing; tension dissipates as frantic energy and louder shouting mask the absence of tight cause-and-effect progression or genuine stakes. Character arcs, while anchored by strong performances and chemistry among the mother-daughter trio, resolve too schematically amid the chaos, with emotional monologues hitting hard in isolation but clashing with the surrounding silliness. Supporting characters, like the flip-flopping neighbor, often serve thematic points more than believable motivations, leading to exaggerated reactions that strain credibility. 

In the end, the flabby writing and lack of narrative tightness make the film feel like it has style in spades but is missing soul and substance. It starts with satirical bite and a fresh take on motherhood and sisterhood but devolves into surface-level messaging and convenient plotting, declaring its intelligence loudly while tripping over its own feet. Maa Behen’ remains a “paisa vasool” chaotic ride, entertaining in flashes for its star power, technical polish, relevant themes about women owning their narratives amid judgment, and sheer madcap energy. But its structural flaws, overambitious juggling, pacing inconsistencies, uneven tone, schematic arcs, and execution that prioritizes frantic cleverness over cohesive storytelling; prevent it from dancing gracefully with the genre greats. It grabs attention like its brilliant title, flirts with brilliance, and then steps on its own toes one too many times. For a tighter masterclass in thriller-comedy where humor truly serves the story, revisit the masters that inspired it. This one entertains, but leaves you wishing the script had hidden its flaws as cleverly as the characters tried to hide that stubborn body.

A light-hearted moment from the sets of Welcome To The Jungle has become the latest talking point on social media.
The behind-the-scenes video featuring Akshay Kumar and Rajpal Yadav has left fans amused ahead of the film’s release.

Actor Akshay Kumar has given fans a glimpse into the fun atmosphere on the sets of his upcoming comedy film Welcome To The Jungle. The actor shared a behind-the-scenes (BTS) video on social media featuring co-star Rajpal Yadav, and the clip quickly gained attention online for its comic timing and candid reactions.

In the video, Rajpal Yadav is seen standing near a fence when Akshay Kumar quietly approaches him with a horse. Moments later, the animal starts nibbling on the wig worn by Rajpal, catching the actor completely off guard. Startled by the unexpected incident, Rajpal screams in panic before bursting into laughter along with Akshay.

Sharing the clip, Akshay Kumar joked, “Had great fun showing Rajpal Yadav my ‘horsepower’. Welcome To The Jungle is wilder than you can imagine. See you in cinemas on June 26, 2026.”

Funny BTS Moment

The video has been widely shared by fans on social media, with many praising the chemistry between Akshay Kumar and Rajpal Yadav. Their comic partnership has been popular with audiences over the years, and the latest clip has further increased excitement around the film.

The candid moment also offered a glimpse into the playful atmosphere on the set of the highly anticipated comedy entertainer.

Star-Studded Cast

Directed by Ahmed Khan, Welcome To The Jungle boasts one of the biggest ensemble casts in recent years. Apart from Akshay Kumar and Rajpal Yadav, the film stars Suniel Shetty, Jackie Shroff, Raveena Tandon, Disha Patani, Jacqueline Fernandez, Arshad Warsi, Paresh Rawal, Johnny Lever, Aftab Shivdasani, Lara Dutta, Shreyas Talpade, Tusshar Kapoor, Daler Mehndi, Farida Jalal, Krishna Abhishek and Kiku Sharda in key roles.

The film is being produced by Firoz A. Nadiadwala under the banner of Base Industries Group. It is the latest installment in the popular Welcome franchise and is scheduled to hit theatres on June 26, 2026.

Bhojpuri Song Creates Buzz

The film has also generated attention for a special Bhojpuri track featuring Akshay Kumar and actress Akshara Singh. In the song, Akshay appears in a Bhojpuri-inspired avatar, while the setting reflects a rural backdrop.

Titled around the phrase “Ghis-Ghis,” the song has already sparked curiosity among fans and is expected to add a unique flavour to the film’s music album.

Despite receiving attention since its premiere at the Toronto International Film Festival, Bandar has arrived in theatres under unusual circumstances.
Limited screens and restricted show timings have sparked discussions among cinema enthusiasts and industry observers.

Filmmaker Anurag Kashyap’s latest collaboration with Bobby Deol, Bandar, has finally hit Indian theatres, but with fewer screens and a restricted release pattern. According to trade reports, the makers had initially planned a targeted release strategy with three to four shows across five screens, mostly after 1 pm, aiming to gradually expand the film to around 500-600 screens nationwide.

However, industry experts say the film received even fewer screens than expected because of the crowded release calendar and strong competition from other movies already performing well at the box office.

Competition for Screens

Trade analyst and Janta Cinema founder Yusuf Sheikh told NDTV that the makers were looking at a selective release aimed at a niche audience. However, the unusually high number of releases during the week reduced the availability of screens.

He also noted that Marathi film Deool Band 2 has emerged as a major box-office success, reportedly collecting around ₹50 crore within two weeks. As a result, multiplex chains increased the number of shows for the Marathi blockbuster, leaving limited space for newer releases such as Bandar.

Industry observers say exhibitors often allocate screens based on demand and box-office performance, making competition particularly intense during busy release periods.

A Dark Story with Bobby Deol

Bandar marks the first collaboration between Anurag Kashyap and Bobby Deol. The film revolves around Samar, a man whose life takes a dramatic turn after he becomes entangled in a false rape accusation. The psychological drama explores themes of social judgment, reputation and personal turmoil.

The film premiered last year at the Toronto International Film Festival and received attention for its intense storytelling and Bobby Deol's performance.

Meaning Behind the Title

Known for using symbolic titles, Anurag Kashyap has once again opted for a metaphorical name. According to industry discussions, the title Bandar reflects the protagonist's chaotic circumstances and emotional struggles rather than referring to the animal literally.

Some critics have also drawn parallels between the character's downfall and Bobby Deol's own professional journey during the years when the actor experienced a lull in his career before making a successful comeback.

Targeting a Specific Audience

Reports suggest that the makers intentionally opted for a focused release strategy instead of a wide opening. Such releases are often used for content-driven films that rely heavily on reviews and word-of-mouth publicity rather than massive opening-day collections.

The afternoon show pattern has further fueled speculation among moviegoers, though trade experts believe it was primarily a result of screen availability rather than any deliberate restriction imposed on the film.

The controversy surrounding Kaala Hiran has taken a new turn.
Somy Ali's remarks have added fresh momentum to an already heated debate over the film and freedom of expression.

The row over Kaala Hiran, a film reportedly inspired by the blackbuck poaching case linked to actor Salman Khan, intensified after producer Amit Jani claimed he was receiving threats following a legal notice sent by Salman Khan's legal team. Amid the escalating dispute, Salman Khan's former girlfriend and actress Somy Ali publicly supported Jani, saying filmmakers have the right to make films on any subject and that only guilty people resort to intimidation.

According to Amit Jani, he has received thousands of threatening messages in the aftermath of the legal notice. In videos shared on social media, he alleged that some messages threatened him and his family. These claims, however, have not been independently verified.

Somy Ali Extends Support

Reacting to one of Jani's posts, Somy Ali commented that every filmmaker has the right to make a film on any topic. She further wrote that people who are guilty often try to hide behind threats.

Her remarks quickly gained attention on social media and reignited discussions over artistic freedom and the limits of legal action in creative works.

Notice Torn in Video

Earlier, Amit Jani released a video on Instagram in which he tore up the legal notice allegedly sent on behalf of Salman Khan. In the video, he claimed that he would not be intimidated by threats and insisted that his film is not entirely based on Salman Khan's life.

He had previously stated that Kaala Hiran is not a biopic and that the story is not told solely from Salman Khan's perspective.

Background of the Blackbuck Case

The blackbuck poaching case dates back to 1998 during the shooting of Hum Saath-Saath Hain in Jodhpur. Along with Salman Khan, actors Saif Ali Khan, Tabu, Sonali Bendre and Neelam were also named in the case.

In April 2018, a Jodhpur court sentenced Salman Khan to five years in prison in the Kankani blackbuck poaching case, while the other actors were acquitted. Salman later secured bail and remains out on bail while the matter is pending before the Rajasthan High Court.

According to court records, the next hearing in the case is scheduled for July 13, 2026.

Teaser Scheduled for June 20

The makers have already unveiled the poster of Kaala Hiran and announced that its teaser and first look will be released on June 20. Reports suggest that the film will explore events linked to the blackbuck case and the subsequent controversy involving gangster Lawrence Bishnoi.

Impact and Debate

The controversy has once again brought questions of personality rights, creative freedom and public discourse into focus. Legal experts and film observers say disputes involving real-life events and public figures often lead to debates over artistic expression and the boundaries of representation

Singer Neha Kakkar’s journey from poverty and all-night jagratas to Indian Idol and chart-topping success has been marked by struggles, controversies, heartbreak and remarkable achievements.

Born on June 6, 1988, in Rishikesh, singer Neha Kakkar grew up in difficult circumstances. The youngest among siblings Sonu Kakkar and Tony Kakkar, she spent her early years in a 10x10 rented room where the entire family lived, cooked and slept together. Her father struggled to support the family and later moved to Delhi, where he sold samosas outside a school and performed at jagratas to earn a livelihood.

At the age of four, Neha joined her family in singing devotional songs at jagratas. The performances often continued throughout the night, affecting the children's education, but they helped improve the family's financial condition. The family reportedly earned around ₹500 per event and gradually managed to achieve greater stability.

Early Success and Indian Idol Journey

Neha displayed musical talent from an early age. At just five years old, she won a music competition against contestants much older than herself. Later, she began performing at weddings and devotional gatherings across North India.

At 16, she moved to Mumbai with her brother Tony Kakkar to pursue a career in music. Her breakthrough came when she was selected for Indian Idol Season 2. Although she finished in tenth place, the reality show gave her nationwide recognition and laid the foundation for her career.

After releasing her independent album "Neha: The Rockstar", she slowly established herself in Bollywood playback singing. Songs like "Second Hand Jawani" from Cocktail helped her gain mainstream popularity, followed by a string of chartbusters.

Career Beyond Singing

Besides playback singing, Neha has appeared in television shows and films. She sang the title track of the television serial "Na Aana Is Desh Laado" and later became one of the most popular judges on Indian Idol, serving across multiple seasons.

Over the years, she has collaborated with several composers and singers and expanded her work to regional music industries as well.

Controversies and Public Criticism

Neha Kakkar's career has not been free from controversies. She faced criticism over remix versions of classic songs such as "Maine Payal Hai Chhankai", which drew objections from original singer Falguni Pathak.

She was also involved in controversies surrounding the songs "Bottle Khol" and "Candy Shop", while a delayed concert in Melbourne in 2025 triggered a public dispute between organizers and her team.

Her emotional moments as a judge on reality shows frequently became topics of debate, with some viewers appreciating her sincerity while others accused her of being overly dramatic.

Personal Life and Marriage

Neha was in a long relationship with actor Himansh Kohli before the couple parted ways in 2018. Following the breakup, she publicly acknowledged suffering from depression and anxiety.

In 2020, she married singer Rohanpreet Singh. Their relationship initially sparked speculation, with many believing their wedding announcement was merely a promotional campaign. However, the couple went ahead with the marriage and have remained among the most talked-about celebrity pairs.

Family issues also made headlines when sister Sonu Kakkar announced in 2025 that she had severed ties with Neha and Tony Kakkar. Meanwhile, speculation regarding Neha's marriage surfaced in early 2026, prompting the singer to issue a clarification and request privacy.

Audience members have criticized the removal of nude and violent scenes from the Hollywood horror film ‘Obsession’, questioning the purpose of an adult certification after the CBFC ordered edits before its release.

The controversy surrounding ‘Obsession’ has extended beyond its box office success. The Central Board of Film Certification's decision to trim several scenes has reignited discussions on censorship and creative freedom in India.

Hollywood horror film Obsession, directed by Curry Barker and starring Michael Johnston and Inde Navarrette, has emerged as one of the biggest international releases of 2026. Since arriving in Indian theatres on May 29, the film has drawn attention not only for its commercial success but also for the edits ordered by the Central Board of Film Certification (CBFC), which have sparked criticism among viewers.

According to the CBFC, the film was granted an ‘A’ certificate and cleared with a runtime of around one hour and 50 minutes. However, before certification, the board directed the removal of 38 seconds of footage, including scenes involving nudity, sexual activity and graphic violence.

The deleted footage reportedly comprised 24 seconds of what the board classified as extreme violence and another 14 seconds depicting sexual content. Mandatory anti-smoking, anti-tobacco and anti-liquor warnings were also inserted in accordance with existing regulations.

Fans Question the Decision

The edits prompted a wave of reactions on social media, with many moviegoers arguing that an adult-rated film should be screened in its original form. Some viewers said the cuts disrupted the narrative and affected the overall impact of the story.

Others questioned the purpose of assigning an ‘A’ certificate if scenes intended for mature audiences are still removed. The debate spread across platforms including X and Instagram, where users expressed frustration over censorship practices and argued that adults should have the choice to watch unaltered versions of films.

What is the CBFC?

The Central Board of Film Certification, functioning under the Ministry of Information and Broadcasting, regulates films under the Cinematograph Act, 1952. No movie can be publicly exhibited in India without receiving certification from the board.

Apart from assigning categories based on age suitability, the CBFC can recommend modifications or deletions before approving theatrical releases. Such changes often relate to violence, sexual content, strong language or material considered sensitive from social or religious perspectives.

Strong Global Performance

Despite the controversy, Obsession has performed strongly at the worldwide box office. Since its international release on May 15, the film has earned more than 90 million dollars globally, including nearly 68 million dollars in North America.

Industry observers noted that the film's second weekend collections surpassed its opening weekend performance, a rare achievement attributed to positive reviews and strong word-of-mouth publicity.

Previous Hollywood Films That Faced CBFC Cuts

Several international films have previously encountered censorship issues in India. Fifty Shades of Grey never received a theatrical release after disagreements over explicit content. The Girl with the Dragon Tattoo was withheld after filmmaker David Fincher declined to make changes demanded by the board.

Oppenheimer underwent digital alterations before release, while films such as Deadpool 2 and Logan saw scenes involving violence and profanity trimmed. Woody Allen's Blue Jasmine was not released in India after the filmmaker refused to include mandatory anti-smoking warnings.

The makers of Cocktail 2 have unveiled the official trailer of the much-awaited romantic drama, offering audiences a glimpse into a modern love story centered on friendship, relationships, and emotional complexities. Featuring Shahid Kapoor, Kriti Sanon, and Rashmika Mandanna in lead roles, the film is scheduled to hit theatres on June 19 and is already generating significant buzz among moviegoers.

Directed by Homi Adajania, who helmed the original Cocktail in 2012, the new film does not continue the storyline of its predecessor. Instead, it presents a fresh narrative with a new cast while retaining the relationship-driven theme that made the original film popular. The trailer highlights an evolving love triangle where friendship and romance begin to overlap, creating emotional tension among the three central characters.

The release of the trailer has sparked conversations across social media platforms, with fans praising the chemistry between the lead actors and the film’s contemporary approach to relationships. Industry observers believe the film could emerge as one of the notable romantic releases of the season.

Modern Relationships at the Core

The trailer introduces Shahid Kapoor, Kriti Sanon, and Rashmika Mandanna in characters navigating the challenges of love, friendship, and personal choices. As the story progresses, emotional conflicts intensify, leading to situations where the lines between friendship and romance become increasingly blurred.

The film appears to focus on the realities of modern relationships, exploring themes such as emotional vulnerability, commitment, and personal growth. The narrative aims to present relatable situations that resonate with younger audiences while maintaining the light-hearted charm associated with romantic dramas.

Writers Tarun Jain and Luv Ranjan have crafted the screenplay, while acclaimed music composer Pritam has created the soundtrack. Lyrics for the songs have been written by Amitabh Bhattacharya.

Nostalgia Meets Fresh Storytelling

One of the standout moments in the trailer is the return of the popular song Tumhi Ho Bandhu, originally featured in the first Cocktail film. The song's inclusion is expected to evoke nostalgia among fans of the 2012 hit while connecting the new film to its predecessor's legacy.

The project is produced by Dinesh Vijan and Luv Ranjan, both known for backing commercially successful romantic entertainers. Their collaboration has raised expectations regarding the film's storytelling and production quality.

Shahid Kapoor and Kriti Sanon previously shared screen space in Teri Baaton Mein Aisa Uljha Jiya, where their pairing received a positive response from audiences. However, Cocktail 2 marks the first on-screen collaboration between Rashmika Mandanna and the duo, adding a fresh dynamic to the film.

Industry reports also suggest that Shahid Kapoor and Rashmika Mandanna may reunite for another romantic comedy project after Cocktail 2. While speculation around the project continues, no official announcement has been made by the filmmakers.

With a star-studded cast, an established director, and a storyline centered on contemporary relationships, Cocktail 2 is positioning itself as one of the most anticipated romantic films of the year. As the June 19 release date approaches, the film's trailer has successfully generated excitement among audiences eager to see how this new love triangle unfolds on the big screen.