Trisha arrived at a Chennai theatre along with a group of friends to watch the film on its opening day. As she exited after the screening, hundreds of fans gathered outside the venue, leading to a brief security challenge as police personnel escorted the actress through the crowd to her vehicle.

Despite repeated questions from reporters waiting outside the theatre, Trisha chose not to comment on the film or Vijay’s farewell from cinema. She smiled briefly before leaving the venue without interacting with the media.

Her mother, Uma Krishnan, however, shared an emotional reaction while speaking to reporters. Reflecting on Vijay’s decision to step away from films, she said it felt disappointing that audiences would no longer get to watch him on the big screen and admitted that fans would miss him as an actor.

The emotional atmosphere surrounding Jana Nayagan has been driven not only by the film itself but also by the significance it carries in Vijay’s career. The actor had earlier announced that he would retire from acting to focus entirely on politics after completing the project, making the release a landmark moment for his fans.

Shortly after the screening, Trisha posted a photograph with her friends on social media, joking that they had "made it out alive" after experiencing the frenzy surrounding the film's release. She also described the experience as witnessing the excitement of Jana Nayagan one final time, a post that quickly attracted widespread attention online.

According to early trade estimates, Jana Nayagan has made a strong start at the domestic box office. The film reportedly collected around ₹42.70 crore net across India on its opening day, reflecting the enormous anticipation surrounding Vijay’s final appearance as a lead actor.

The release had originally been planned several months earlier but was delayed due to certification-related issues before finally arriving in theatres this week.

Across Tamil Nadu and several overseas markets, fans celebrated the release with special screenings, music, dance performances and large cut-outs of Vijay outside cinema halls. Videos circulating on social media showed enthusiastic supporters gathering from early morning to mark the occasion, while some fans reportedly travelled from abroad specifically to watch the actor’s farewell film in India.

For Vijay, Jana Nayagan represents the conclusion of an acting career spanning more than three decades. Over the years, he established himself as one of Tamil cinema’s biggest commercial stars through a long list of blockbuster films and a massive fan following that extended well beyond South India.

With his full-time entry into politics now expected, the film is widely being viewed as both a farewell to his cinematic journey and the beginning of a new chapter in public life.

Whether measured through the emotional reactions of audiences, the packed theatres or the strong opening-day collections, Jana Nayagan has already emerged as one of the most significant releases of the year, closing the curtain on Thalapathy Vijay’s celebrated film career while leaving fans with memories they are unlikely to forget.

Directed by Ravinder Siwach, the 1-hour-43-minute film doesn't position itself as a serious social drama. Instead, it wraps its message inside a family entertainer that uses satire, emotional moments and relatable situations to challenge long-held beliefs. While the screenplay loses momentum in places, the performances—particularly that of Annu Kapoor—keep the narrative engaging until the end.

The story revolves around Sai Ram Tuteja, played by Annu Kapoor, a physics professor who believes unquestioningly in Vastu despite spending his life teaching science. His biggest dream is to build a house that faces the north direction, convinced that only such a home can bring prosperity and happiness.

His obsession with finding the "perfect" plot forces him and his family to continue living in rented accommodation for years. When he finally acquires the ideal piece of land, the journey towards building his dream home becomes increasingly complicated as one setback follows another.

The narrative takes a stronger turn after the interval, when circumstances begin forcing Tuteja to question whether success truly depends on directions or on personal decisions, hard work and relationships. His student Gyan Chand, popularly known as GC and played by Sumit Gulati, becomes one of the most important influences in that transformation.

Rather than mocking faith itself, the film raises questions about blind dependence on superstition. Its satirical treatment often recalls the flavour of classic middle-class comedies without directly imitating them.

Annu Kapoor delivers the film's strongest performance. He makes Sai Ram Tuteja believable through a combination of comic timing, emotional restraint and natural dialogue delivery. His performance ensures that even the weaker portions of the screenplay remain watchable.

Sumit Gulati provides solid support, particularly during the second half where his character becomes central to the emotional progression of the story. Rukhsar Rehman performs confidently as Ginni, while Rajendra Sethi leaves an impression despite limited screen time. Supporting actors Brijendra Kala, Pawan Malhotra, Ishtiyak Khan and Nitin Arora contribute effectively to the film's comic rhythm.

Director Ravinder Siwach deserves credit for choosing a socially relevant subject without turning the film into a lecture. His storytelling remains accessible to family audiences, balancing entertainment with a meaningful message. However, a tighter screenplay could have significantly improved the overall experience, especially during the first half where several scenes feel stretched.

One casting choice, however, appears slightly distracting. Naseer Abdullah, who plays Ginni's father, appears noticeably younger than Annu Kapoor, making the father-in-law dynamic less convincing on screen.

Technically, the film remains competent. The cinematography supports the grounded tone of the narrative, while the production design effectively reflects middle-class family life. The editing is functional but could have been sharper to maintain a more consistent pace.

The music blends comfortably into the narrative without becoming a major highlight. While the songs suit the situations in which they appear, none emerge as memorable standalone tracks. The background score, however, supports the emotional and comic moments effectively.

Ultimately, Uttar Da Puttar succeeds because of its central idea rather than its surprises. It reminds audiences that while traditions and beliefs may offer comfort, real change often comes through personal choices instead of fixed directions on a compass.

For viewers looking for a light-hearted family entertainer that combines comedy with a thoughtful social message, the film offers enough substance to justify a watch.

Rating: 3/5

During a conversation about the film, Lama dismissed suggestions that Khushalii was chosen because of her association with the Kumar family. Instead, he said the decision was based purely on her performances as an actor.

In a light-hearted remark, the filmmaker joked that he currently runs a small music label and is therefore a "rival" to T-Series, making it unlikely that business connections influenced the casting decision. He said he had watched Khushalii's performances in Dhokha: Round D Corner and parts of Starfish before finalising her for the lead role.

According to Lama, the character of Navya required an actor who did not carry a fixed on-screen image. He felt Khushalii's relatively fresh screen presence and the fact that she had not previously attempted comedy made her suitable for the role. After narrating the script, the actor immediately expressed interest in joining the project.

The conversation also focused on the film's central theme of marriage at a time when many young people are becoming increasingly hesitant about making long-term commitments.

Lama said marriage remains an important institution because it forms the foundation of family life. While Dulhaniya Le Aayegi is presented as a comedy, he explained that the film also explores emotional relationships, particularly the bond between a father and daughter, through humour and light-hearted storytelling.

Khushalii echoed those views, saying marriage should never be treated as an obligation or something that must happen within a fixed timeline. She believes people should make the decision only when they are emotionally prepared and have found the right partner. The film, she said, attempts to convey that message in an entertaining way.

Speaking about sharing screen space with veteran actors Piyush Mishra and Mahesh Manjrekar, both Lama and Khushalii described the experience as one of the highlights of the production.

Lama noted that despite both senior actors being accomplished filmmakers themselves, they placed complete trust in his direction throughout the shoot. He said that once actors have confidence in the director's vision, the filmmaking process becomes much smoother.

Khushalii praised Piyush Mishra's enthusiasm and professionalism, saying he brought the same energy to every shooting day regardless of the schedule. She also described working opposite Mahesh Manjrekar in emotionally charged father-daughter scenes as a memorable learning experience because of his natural acting style.

Reflecting on memorable moments from the shoot, Lama singled out two scenes that remain particularly close to him. One features Navya struggling to tell her father that she does not want to marry, while another involves a lengthy emotional monologue performed by Khushalii in a single take. According to the director, preview audiences shifted from laughter to silence during the sequence, making it one of the film's most impactful moments.

Khushalii, meanwhile, recalled that one of the most enjoyable aspects of filming was watching Lama perform scenes himself before explaining them to the cast. With a theatre background, the director often demonstrated every emotion and expression, creating several humorous behind-the-scenes moments.

The interview also touched upon Khushalii's career outside acting. She said she feels proud to be recognised as the daughter of T-Series founder Gulshan Kumar, but equally values opportunities that come solely because of her own work. Before entering films, she established herself as a fashion designer and worked internationally, including projects in Paris, New York and for Hollywood clients.

She added that acting opportunities such as Dulhaniya Le Aayegi were offered after filmmakers watched her performances rather than because of family connections.

Khushalii also spoke about philanthropy, revealing that she supports the education of several young girls and regularly contributes to charitable initiatives. She said those values were inherited from her father, who believed that success carries a responsibility to help others.

With its blend of comedy, family emotions and contemporary conversations around marriage, Dulhaniya Le Aayegi aims to present a relatable story while introducing audiences to a different side of Khushalii Kumar's acting journey.

Speaking during a recent interview, the actress alleged that some industry gatherings are now planned with a separate budget for drugs, replacing what was once limited to food, music and alcohol. Her remarks have generated widespread discussion on social media, with many users reacting strongly to her claims about the working culture within the television industry.

Narayani, who has been associated with Indian television for more than two decades, said she has personally witnessed people consuming drugs at private industry gatherings. According to her, larger public events are generally more controlled, but smaller private parties often see open substance use.

The actress also made a personal admission during the conversation, saying that she had experimented with different intoxicating substances in the past. However, she clarified that she never became addicted and had only tried them out of curiosity. She stressed that experimentation should not be confused with dependency and added that she has stayed away from such activities for years.

Narayani further claimed that substance abuse has affected professional commitments in the television industry. According to her, there have been instances where scheduled shoots had to be postponed because certain actors were not in a condition to perform after allegedly consuming drugs.

She said that production houses sometimes suffered financial losses because expensive shooting schedules had to be delayed. While making the allegations, the actress avoided naming any individual or production, stating that her intention was not to target specific people but to highlight a broader issue.

During the interview, Narayani also referred to the death of actor Sushant Singh Rajput while discussing drug abuse in the entertainment industry. She expressed her personal opinion that substance abuse may have played a role in the circumstances surrounding his life, while acknowledging that the exact reasons behind his death remain uncertain. Her comments represent her personal views and are not linked to any official investigation or judicial finding.

The actress described cocaine as one of the most dangerous substances circulating within the entertainment world, claiming that addiction has become a growing concern across sections of the industry. She added that she now chooses to avoid most industry parties because the atmosphere has changed significantly compared to earlier years.

Narayani also explained why she spoke openly about her own past experiences. According to her, discussing experimentation honestly is important because it allows people to understand the risks involved rather than pretending such issues do not exist. She maintained that she does not encourage drug use in any form and believes addiction can destroy careers and personal lives.

Her statements have triggered mixed reactions online. While some social media users praised her for speaking candidly about an issue often discussed privately, others questioned the absence of specific evidence or names to support the allegations. Several users also pointed out that broad claims about an entire industry should be handled carefully to avoid unfairly targeting professionals who have no connection to substance abuse.

The interview has once again brought attention to conversations around mental health, workplace culture and substance abuse within India's entertainment sector. Although the actress's remarks remain personal allegations, they have renewed public discussion over whether stronger awareness, counselling and preventive measures are needed across the industry.

The controversy began after footage surfaced showing a stray dog sitting in front of an event backdrop where Khesari Lal Yadav was scheduled to pose for photographers. Moments before the photo session, members of the event staff were seen dragging the dog away from the spot so the actor could stand in front of the backdrop for pictures.

While Khesari Lal Yadav did not physically move the animal himself, the video showed him waiting nearby as the dog was removed. The visuals quickly spread across social media platforms, drawing criticism from several users and animal lovers who described the handling of the animal as harsh and unnecessary.

Among those reacting was actor Malaika Arora, who reposted the video on her official social media account. Expressing her displeasure, she questioned the behaviour seen in the clip and criticised the celebrity standing for photographs while the incident unfolded.

In one of her posts, Malaika referred to the act as “disgusting” and questioned the identity of the actor seen in the video. She also commented separately on the post, asking why posing for photographs was considered more important than showing compassion toward the animal. Her remarks soon gained significant attention online and fuelled further discussion around the incident.

The comments also highlighted that Malaika initially appeared unaware that the person in the video was Bhojpuri actor Khesari Lal Yadav. After users identified him, many supporters of the actor responded by pointing out his popularity in Bhojpuri cinema and arguing that he was not personally seen dragging the dog. Others, however, maintained that he could have intervened or stopped the situation instead of remaining silent.

The viral video has since divided opinion on social media. One section of users supported Malaika Arora's criticism, saying public figures should speak up when animals are treated inhumanely. Another section defended Khesari Lal Yadav, arguing that members of the event management, rather than the actor, were responsible for removing the dog.

Neither Khesari Lal Yadav nor his representatives had issued an official statement on the controversy at the time of writing. Event organisers have also not publicly responded to the criticism or clarified the circumstances surrounding the incident.

Khesari Lal Yadav is among the biggest names in the Bhojpuri film industry. Rising to fame with the success of Sajan Chale Sasural in 2011, he has built a successful career as both an actor and playback singer. Over the years, he has appeared in more than 100 Bhojpuri films and has delivered numerous chart-topping songs. He also gained nationwide recognition after participating in the reality television show Bigg Boss 13.

The incident has once again drawn attention to the responsibilities of celebrities and event organisers in ensuring that animals are treated humanely during public programmes. Animal welfare advocates have frequently stressed that stray animals should never be handled roughly for the sake of photographs or event arrangements.

As the debate continues across social media, many users have called for greater sensitivity toward animals in public spaces, while others await a response from Khesari Lal Yadav regarding the criticism directed at him.

A bride's search for a groom begins at the wedding mandap in this heartwarming family entertainer packed with laughter, emotions, and relationships

Cast: Khushali Kumar, Mahesh Manjrekar, Piyush Mishra, Snehil Dixit (BC Aunty), Omkar Kapoor, Agu Stanley
Director: Akashaditya Lama
Producers: Siddharth Banerjee, Akashaditya Lama & Vikas Aggarwal
Banner: Aloe Cine Saga in association with Think Tank Global & Spira
Story: Jayant Gupta & Anupriya Roy

This week sees the release of Dulhaniya Le Aaeegi, starring Khushali Kumar, Mahesh Manjrekar, Piyush Mishra and Omkar Kapoor. Right from its opening scene, the film establishes its unique premise. Traditionally, it is the groom who arrives to take his bride home, but here, it is the bride who must find her own groom. This refreshing twist sets the stage for an entertaining family drama filled with humour, emotions and relatable relationships.
The film is built around an idea that immediately grabs your attention. Imagine discovering just a day before your wedding that the man you are about to marry is an abusive womaniser. Should the wedding be called off, or should a new groom be found for the very same mandap? This unusual dilemma forms the heart of the story, resulting in an engaging blend of comedy, emotion and family values.

Story
Devi Prasad (Mahesh Manjrekar), is overjoyed as he looks forward to seeing his daughter Navya get married. Navya (Khushali Kumar), a successful HR Head at a leading company, is all set for her big day until she discovers the shocking truth about her fiancé. Realising that she cannot spend her life with such a man, she decides to end the relationship.
However, there is a much bigger challenge. Her father is seriously ill, and the news of the wedding being cancelled could trigger another heart attack. Determined to protect him, Navya makes an unimaginable decision—she sets out to find a new groom who can marry her at the same mandap while keeping the entire mission a secret from her father.
Helping her through this impossible mission are her uncle, her best friend Ragini (Snehil Dixit), and a host of quirky characters. The story keeps introducing hilarious situations involving former boyfriends, desperate matchmakers, social media influencers and several eccentric personalities, ensuring that the narrative never loses its momentum. Beneath all the comedy, the film also explores trust, relationships and what truly makes the ideal life partner.

Direction
Director Akashaditya Lama presents this unusual premise in an entertaining and accessible manner. The film beautifully reflects how today's Indian middle-class families try to embrace modern thinking while remaining rooted in tradition. Devi Prasad's only wish is to see his daughter happily married, while Navya chooses to continue with the wedding only because she cannot risk her father's fragile health. This emotional conflict adds depth to the otherwise light-hearted narrative.
Writers Jayant Gupta and Anupriya Roy have struck a fine balance between comedy and emotion. There are plenty of laugh-out-loud moments, but the film also encourages viewers to reflect on relationships, marriage and the importance of choosing the right life partner.

Performances
Khushali Kumar delivers one of her most confident performances as Navya. She brings maturity and sincerity to the role, handling both emotional and comic moments with equal ease.
Mahesh Manjrekar is excellent as the caring father, bringing warmth, dignity and emotional weight to his character. Piyush Mishra, with his trademark screen presence and dialogue delivery, lends another engaging dimension to the film. Snehil Dixit (BC Aunty) turns out to be one of the biggest highlights of the film. Her friendship with Navya feels genuine, and her effortless comic timing adds tremendous energy to the narrative. Even her simplest dialogues draw laughter because of her natural performance. Omkar Kapoor and Agu Stanley also make meaningful contributions and fit comfortably into the film's entertaining ensemble.

Final Verdict

Dulhaniya Le Aaeegi is much more than a romantic comedy. It is a warm family entertainer that beautifully captures the emotions attached to family, relationships and the search for a perfect life partner. The film's unique concept, relatable characters and wedding backdrop make it a refreshing watch.

The strength of the film lies in its simple yet engaging storytelling, well-timed humour and heartfelt performances. Khushali Kumar, Mahesh Manjrekar, Piyush Mishra and Snehil Dixit bring sincerity and energy to their respective roles, making the journey of Navya both entertaining and emotionally relatable. The film manages to make audiences laugh while also delivering a meaningful message about trust, understanding and the importance of making the right choices in relationships.The film deserves a decent rating for its refreshing concept, engaging performances and wholesome entertainment. With its fresh idea, family-friendly appeal and entertaining treatment, Dulhaniya Le Aaeegi is a delightful watch that brings together comedy, emotions and the warmth of Indian family values.

The dispute took place on Tuesday evening at a multiplex inside Trillium Mall, where Amritsar resident Varinder Singh arrived with his wife and four minor children to watch the film. According to the family, theatre staff refused to issue tickets after noticing that the children were under 18 years of age.

A video of the confrontation, recorded by Singh and later shared on social media, shows him arguing with multiplex employees and questioning why his family was prevented from watching a film that, according to him, promotes Sikh heritage.

During the exchange, Singh compared Dastar with mainstream films such as Dhurandhar and Animal, claiming that movies featuring violence had been widely screened, while a film highlighting Sikh history was being kept out of reach of Sikh children.

He also appealed to other moviegoers and staff members present at the multiplex for support. However, those present reportedly explained that the theatre was simply following the certification rules. After the discussion failed to resolve the issue, the family left without watching the film.

Responding to the allegations, multiplex staff said they had acted strictly in accordance with CBFC regulations. Since Dastar has been certified 'A', cinemas are legally prohibited from allowing anyone below the age of 18 to watch the film, even if accompanied by parents or guardians.

Varinder Singh, a jeweller and social media influencer, later claimed that he had contacted members of the film's production team to understand why the movie had received an adults-only certificate. According to him, the makers told him the film was originally intended for family audiences and children, but the CBFC eventually granted it an 'A' certificate.

The producers have publicly confirmed that the certification process continued until the eve of the film's release. According to official statements from White Hill Studios and lead actor Tarsem Jassar, the CBFC cleared the film only after requiring multiple edits, with the final certificate reportedly being issued on the night before its theatrical release.

Released on July 17, Dastar explores themes linked to Sikh identity, diaspora experiences and incidents of racial violence faced by Sikh immigrants in the United Kingdom during the 1980s. The film also depicts violence and alleged police brutality inspired by historical events, elements that are understood to have influenced the CBFC's decision to restrict the film to adult audiences.

The controversy has also reignited debate over film certification in India. Critics of the decision argue that stories centred on Sikh history and identity often face stricter scrutiny, while supporters of the certification process maintain that the CBFC is required to classify films based on their content rather than their subject matter.

The issue follows recent discussions surrounding Satluj, another Punjabi film that attracted attention during the certification process. Observers note that films dealing with Punjab's political history, the events of 1984 and Sikh identity have increasingly faced close examination from certification authorities because of their sensitive themes.

As of now, neither the CBFC nor the makers of Dastar have issued any fresh statement addressing the Amritsar incident. The controversy, however, has added another chapter to the ongoing conversation over censorship, audience classification and the balance between historical storytelling and regulatory standards in Indian cinema.

Posting a video featuring Shefali and Simba, Parag expressed his grief in a heartfelt message. “Now mamma is not alone. Simba is very happy with mamma. I can't wait to meet both of you, my lifelines, on the other side,” he wrote.

The post quickly drew condolences from fans and members of the entertainment industry, many of whom remembered the close bond Shefali shared with her pet.

For Shefali, Simba was much more than a companion. The actor often referred to him as her “son” and regularly shared pictures and videos of their time together on social media. Their relationship had become a familiar part of her public life, with fans frequently seeing Simba accompany her during celebrations and family moments.

According to Parag Tyagi, Simba had appeared unusually quiet and withdrawn after Shefali’s passing. In earlier social media posts, he had suggested that the pet struggled emotionally following the loss of his owner.

The bond between Shefali and Simba was especially evident during festivals. Every year, she would tie a rakhi to Simba during Raksha Bandhan, treating him as a member of the family. After her death, Parag continued the tradition by tying a rakhi to Simba, a gesture that resonated with many of her followers.

Shefali Jariwala passed away suddenly on June 27, 2025. Reports at the time stated that a religious ceremony had been organised at her home that day and that she had been observing a fast. Media reports suggested she had taken insulin before consuming refrigerated food, after which her health deteriorated rapidly.

She was rushed for medical attention but could not be saved. While several reports linked her death to a fluctuation in blood pressure, her family has never officially confirmed the exact cause, and they have largely maintained privacy regarding the circumstances surrounding her passing.

Shefali first rose to nationwide fame with the iconic music video Kaanta Laga, earning the nickname "Kaanta Laga Girl." She later appeared in several television shows, music videos and reality programmes, expanding her presence in the entertainment industry.

In 2019, she entered Bigg Boss 13 as a wildcard contestant. During the season, viewers saw her cordial relationship with her former boyfriend, the late actor Sidharth Shukla, whose death from cardiac arrest in 2021 had also shocked the television industry.

The passing of Simba has reopened memories of Shefali for many fans, who flooded social media with messages remembering both the actor and her beloved pet. Parag Tyagi's emotional tribute reflected not only the loss of a pet but also the enduring bond that continued to connect Simba with Shefali even after her passing.

As condolences continue to pour in, Simba's death marks another deeply personal loss for Parag Tyagi, closing a chapter that had remained closely tied to Shefali Jariwala's memory.

In an interview with The Times of India, Tripathi said the attack had affected him personally because of his close bond with his family. However, he maintained that his family had never wronged anyone and therefore had no reason to be intimidated.

“My family means everything to me. We speak at least once every day. The incident did affect me, but I have full faith in the judicial system. We are not people who live in fear,” the actor said.

He added that the family believes it has always lived honestly. “We have never done anything wrong to anyone, so why should we be afraid? It was an unfortunate incident, nothing more. Such events are a part of life,” Tripathi said.

The actor’s remarks come weeks after his brother was seriously injured in an alleged assault in Bihar’s Gopalganj district.

According to police, the attack took place in June in Belsand village under Barauli police station limits. Vijendra Nath Tiwari was reportedly sitting outside his residence in the evening when two men allegedly attacked him with an axe, leaving him critically injured.

Family members and local residents rushed him to the district hospital, where he received emergency treatment. Doctors later referred him to AIIMS Patna for advanced medical care after assessing the seriousness of his injuries.

The incident triggered a police investigation, which, according to officials, pointed to a long-running land dispute between the victim and the accused. Investigators said the alleged assault appeared to be linked to the property disagreement.

Police have arrested two suspects in connection with the case, and legal proceedings are underway. Authorities have not indicated any connection between the attack and Pankaj Tripathi's professional life.

Tripathi, known for maintaining a low public profile, has largely stayed away from commenting on the matter since the incident. His latest remarks suggest that while the attack was emotionally difficult for the family, they remain confident that the legal process will take its course.

On the professional front, the actor continues to stay busy with multiple projects. He was last seen in Krishna Avataram earlier this year and is preparing for the release of the Mirzapur feature film, scheduled to hit theatres on September 5.

Tripathi is also set to appear in the upcoming films Parivarik Manoranjan and Oh My Dog. In addition to his screen projects, the actor has revealed plans to launch his own YouTube channel, offering audiences a new platform to engage with his work and personal insights.

The National Award-winning actor is also preparing to return to theatre after a gap of nearly 12 years, marking another significant milestone in his career.

While the investigation into the attack on his brother continues, Tripathi has made it clear that his family intends to face the situation with resilience rather than fear, placing its trust in the law to deliver justice.

Speaking about her early struggles in interviews, Kriti said the toughest phase of her career was not rejection alone but the uncertainty that followed. There were months when audition calls stopped completely, leaving her questioning whether she had made the right decision to leave behind a conventional career path for acting.

The actor recalled that she often called her mother several times a day, breaking down over the lack of opportunities. She also spoke about the emotional setbacks she faced during her modelling days, including crying after her first professional photoshoot and again after being criticised during her debut ramp walk.

Kriti's story stands in contrast to the image of overnight success often associated with Bollywood. Today, she has established herself among the industry's leading actresses, won the National Film Award for Best Actress, delivered commercially successful films and launched her own production house. But, according to the actor, none of it came without prolonged periods of self-doubt and rejection.

Born in New Delhi on July 27, 1990, Kriti pursued Electronics and Communication Engineering at Jaypee Institute of Information Technology in Noida. She has said acting was never part of her original career plan. The turning point came during college when someone suggested she try modelling because of her height. What began as an experiment eventually led her to the entertainment industry.

Without a professional portfolio, Kriti's younger sister clicked her initial photographs, which were submitted for a fresh-face modelling contest. Winning that contest opened the doors to professional modelling assignments and eventually film auditions.

Her transition to Mumbai, however, proved far more challenging than expected. Living away from her family for the first time, managing a rented apartment and attending auditions became part of her daily routine. At the same time, she continued preparing for the GMAT as a backup plan, supported by parents who encouraged her to pursue her dream before considering other career options.

Kriti has admitted that entering Bollywood without industry connections made the journey significantly harder. She said she repeatedly auditioned for films, only to see several projects eventually go to actors from established film families or more familiar faces.

According to the actor, the waiting period between auditions was often more painful than rejection itself. There were stretches when no meetings or auditions came her way, leaving her feeling isolated in an industry where few people knew her name.

Despite making her acting debut with the Telugu film 1: Nenokkadine opposite Mahesh Babu and entering Hindi cinema with Heropanti, Kriti said stereotypes continued to follow her. She recalled being labelled as "just a model" and facing doubts about her acting abilities.

Those perceptions began to change with Bareilly Ki Barfi, where her portrayal of Bitti Mishra received widespread appreciation. Yet even after the film's success, Kriti revealed she remained without a film shoot for nearly 15 months, highlighting the unpredictable nature of the industry.

Her biggest breakthrough arrived with Mimi. According to Kriti, several people advised her against taking on the role of a surrogate mother at a relatively early stage of her career, warning that it could affect her glamorous image. She chose the script over those concerns, gaining weight for the role and investing months in preparing for the emotionally demanding character.

The decision proved pivotal. Mimi earned widespread critical acclaim, and Kriti won the National Film Award for Best Actress, a recognition she describes as the culmination of years spent battling rejection, uncertainty and preconceived notions about her capabilities.

Looking back, Kriti says she no longer regrets the difficult years. Instead, she believes every rejection helped build resilience and made her a stronger performer. She maintains that had success come easily, she may never have developed the confidence and determination that define her career today.

From an engineering student with no plans to enter films to one of Bollywood's most recognised performers, Kriti Sanon's journey reflects the persistence often required to succeed in an industry where talent alone does not always guarantee opportunity.

The controversy began after Sonam Bajwa reacted to reports of police action against protesters during the CJP agitation in Delhi. Sharing her thoughts on social media, the actress said the visuals from the protest had left her heartbroken and appealed for compassion toward students. Her post quickly drew mixed reactions online, with some users supporting her stand while others questioned her decision to comment on a politically sensitive issue.

As the debate intensified, Babbu Maan addressed the issue during a public interaction, urging people not to drag artists into political battles. According to the singer, entertainers are citizens first and have the right to express concern over humanitarian matters without being labelled politically.

Maan said every individual is entitled to an opinion and that disagreement should not result in personal attacks. He added that the entertainment industry should not become a battleground where actors and musicians are expected to align themselves with one political ideology or another.

The singer also appealed to people to maintain respect while engaging in public discourse, stressing that social media should not be used to intimidate or silence individuals merely because they hold a different view.

Sonam Bajwa has not issued any further clarification since her original post. The actress had reacted after reports emerged of clashes during the CJP protest march in Delhi, where police used force to stop demonstrators attempting to move towards Parliament. The protests, centred on education-related demands, triggered widespread political debate and also drew reactions from several personalities from the film industry.

The incident once again highlighted the increasing scrutiny faced by celebrities whenever they comment on public affairs. In recent years, actors, musicians and sportspersons have frequently found themselves at the centre of online campaigns after expressing opinions on social or political developments.

Within the Punjabi entertainment industry, Babbu Maan has often maintained that artists should focus on humanity rather than political divisions. His latest remarks are being viewed in that context, with supporters praising him for defending freedom of expression while encouraging civil discussion.

The episode has also sparked wider conversations about whether public figures should remain silent on contentious issues or use their platforms to speak on matters they consider important. While opinions remain divided, Babbu Maan's intervention has shifted part of the discussion towards the role of artists in public life.

Neither Sonam Bajwa nor Babbu Maan has indicated that they intend to engage further in the controversy. However, their comments continue to generate discussion across social media, where users remain sharply divided over the intersection of celebrity voices and political debate.

The accident came just before the film's scheduled promotional events, where Mishra was expected to appear alongside the cast and director. His absence prompted the makers to reveal the reason behind it during a media interaction.

Director Akashaditya Lama confirmed that the actor met with the accident after slipping in his bathroom and sustained a fracture in his hand. According to the filmmaker, Mishra's manager informed the production team about the incident the previous night, following which doctors advised the veteran actor to remain on complete bed rest.

Lama said the injury has ruled Mishra out of the film's promotional campaign, including interviews and public appearances planned over the coming days. He added that the actor had been dealing with health issues for some time but continued fulfilling his professional commitments despite his condition. The recent accident, however, has made it impossible for him to continue promotional activities.

According to the director, Mishra's current physical condition has limited his mobility, and he is recovering under medical supervision. No timeline has yet been announced regarding when he is expected to resume work.

The incident has generated concern among fans of the actor, who is regarded as one of Indian cinema's most respected performers. Over the years, Piyush Mishra has earned acclaim not only for his acting but also for his work as a lyricist, writer, singer and theatre artist. His performances in films such as Gangs of Wasseypur, Tamasha, Maqbool, Pink and several independent productions have established him as one of the industry's most versatile character actors.

Despite the injury, there has been no indication that the accident will affect the release schedule of Dulhaniya Le Aayegi. The film, directed by Akashaditya Lama, features Khushali Kumar, Mahesh Manjrekar and Piyush Mishra in key roles. The story revolves around a wedding backdrop filled with humour, family dynamics and emotional twists, positioning itself as a light-hearted family entertainer.

The production team has not commented on whether Mishra will be able to participate in promotional events closer to the film's release. For now, the focus remains on his recovery, with doctors recommending rest before he returns to professional commitments.

News of the actor's injury has triggered an outpouring of support across social media, where fans and colleagues have wished him a speedy recovery. While the fracture has temporarily interrupted his promotional schedule, those associated with the film remain optimistic that Mishra will recover soon and resume work once medically cleared.