Nora Fatehi Faces ₹3 Crore Defamation Suit Over ‘Toy Plane’ Remarks

Bollywood actor Nora Fatehi is facing a ₹3 crore civil defamation suit filed by aviation company Dunes Aviation in a Gandhinagar court over her alleged social media comments about one of its chartered aircraft.

The company has alleged that Fatehi described the aircraft as a “toy” and a “Lego airplane” after travelling on it, and claimed that the remarks harmed its reputation and commercial operations. The matter is scheduled to come up before Senior Civil Judge R. Agarwal on September 25. (Business Today)

Dispute dates back to December 2025 flight

According to the lawsuit, Fatehi recorded videos inside a Cessna Citation CJ2 aircraft during a Mumbai-Jaipur flight in December 2025 and later shared the footage on Instagram.

The aviation company alleges that she referred to the aircraft as “miniature”, a “toy” and a “Lego airplane”. Dunes Aviation has described these comments as derogatory, reckless and irresponsible, arguing that they were made without adequate technical knowledge or verification. (Business Today)

Company claims business was affected

Dunes Aviation has linked the social media posts to an alleged decline in its business. According to the company's claims in the suit, bookings fell by around 15–20% and cancellations increased following the controversy.

The firm has argued that Fatehi's large social media following amplified the comments and contributed to reputational damage, loss of goodwill and an adverse commercial impact. These are allegations made by the company in its civil suit and have not been established by the court. (The Economic Times)

Dunes Aviation says aircraft was certified

The company has also disputed any suggestion that the aircraft was unsuitable for the journey. Dunes Aviation has maintained that the Cessna Citation CJ2 was a standard aircraft, airworthy and operated legally.

According to the company's case, the aircraft was DGCA-certified and being operated under a valid Non-Scheduled Operator's Permit (NSOP). (Hungama Express)

₹3 crore damages sought

Apart from seeking ₹3 crore in damages, Dunes Aviation has asked for the removal of social media content containing the alleged statements or references to the aircraft.

The company has also sought a public clarification from Fatehi over the remarks. The court will consider the matter at its upcoming hearing on September 25. (Business Today)

No response from Nora Fatehi reported so far

As of the latest reports, no detailed response from Nora Fatehi to the civil suit has been reported. The legal proceedings are at an early stage, and the company's allegations should not be treated as findings of fact.

The case also raises a broader question about the legal consequences of comments made by high-profile personalities on social media, particularly when companies claim that such statements have caused measurable reputational or financial losses.

What happens next?

The Gandhinagar court's September 25 hearing will be an important next step in the dispute. Among the issues likely to arise are the nature of Fatehi's statements, whether they constitute actionable defamation, and whether Dunes Aviation can establish a direct connection between the posts and the financial losses it claims.

The ₹3 crore compensation demand, alleged 15–20% booking decline and claims about reputational damage are part of Dunes Aviation's case. They have not been established as court findings, and any response from Nora Fatehi could alter the context as proceedings develop.

The casting of Ranbir Kapoor as Lord Ram in Nitesh Tiwari’s upcoming two-part film ‘Ramayana’ has come under fresh scrutiny after Shiv Sagar, grandson of the late filmmaker Ramanand Sagar, said he personally finds it difficult to accept the actor in the role.

Shiv Sagar, who is also a producer-director, said Ranbir’s previous screen image—particularly his role in Animal—creates what he described as “baggage” for a character as culturally and spiritually significant as Lord Ram. He said a relatively new face would, in his view, have been a better choice. 

Shiv Sagar prefers a fresh face for Ram

Speaking to ANI, Shiv Sagar said he liked most of the film’s casting but disagreed with the choice of Ranbir Kapoor for Lord Ram.

He explained that when he thinks of Ram, he finds it difficult to separate Ranbir from the image created by his earlier roles. According to Shiv, a fresh actor without a strong association with previous characters could have allowed audiences to approach the role differently.

His comments were specifically about his personal perception of the casting, rather than a statement about Ranbir Kapoor’s acting ability. 

‘Animal’ image cited as the main concern

Shiv Sagar’s objection centres on Ranbir’s portrayal of Ranvijay Singh Balbir in Sandeep Reddy Vanga’s Animal, a character that was markedly different from the traditional image associated with Lord Ram.

He argued that actors portraying revered mythological figures can carry the weight of their earlier screen identities into such roles. Shiv said this is why his family has generally preferred new faces for characters in their television productions.

The debate is particularly sensitive because Ramayana is not being treated merely as another fictional adaptation by many Indian viewers. Shiv stressed that Lord Ram is worshipped by millions and occupies a significant place in Indian cultural and religious life.

Yash and Sai Pallavi receive praise

While questioning Ranbir’s casting, Shiv Sagar praised the choices of Yash and Sai Pallavi.

Yash plays Ravana, while Sai Pallavi portrays Sita in Nitesh Tiwari’s adaptation. Shiv said both actors appeared suitable to him because, in his assessment, they did not carry the same kind of previous-role association that he believes Ranbir brings to the project. 

His comments come as the film’s casting continues to attract considerable public discussion ahead of its theatrical release.

Costume choices also questioned

Shiv Sagar also expressed reservations about some of the film’s costumes and other creative decisions.

He said that certain aspects of the casting and costume design could have been handled differently, while emphasising that ultimately the audience would determine whether the filmmakers’ choices worked.

The remarks add another layer to the ongoing discussion around the visual interpretation of the epic, particularly after promotional material and the trailer generated debate over character looks and costumes.

Why the casting debate matters

The casting discussion reflects a larger challenge faced by filmmakers adapting culturally revered stories for contemporary cinema: balancing star power and commercial reach with the expectations audiences attach to familiar religious and cultural figures.

Shiv Sagar acknowledged that casting a major star such as Ranbir could have commercial advantages, including helping the film’s marketing. However, he maintained that his personal preference would still be for a new face in the role of Ram.

Similar concerns about Ranbir’s Animal image have also been raised publicly by veteran actor Mukesh Khanna, who recently argued that the association could affect how children and audiences perceive the character of Ram. 

‘Ramayana’ set for November 2026 release

Directed by Nitesh Tiwari, Ramayana: Part 1 stars Ranbir Kapoor as Lord Ram, Sai Pallavi as Sita and Yash as Ravana. The film is planned as the first instalment of a two-part adaptation.

The makers have announced November 6, 2026 as the global theatrical release date for the first part. 

As the release approaches, the response to the casting, costumes, visual effects and overall interpretation is likely to remain an important part of the film’s public conversation.

Ranveer Singh’s first glimpses from the sets of his upcoming film ‘Pralay’ have surfaced online, giving fans a closer look at his rugged new appearance. The actor is seen with long hair and stubble, while one of the circulating videos shows him carrying a child on his back during a scene with co-star Kalyani Priyadarshan.

The leaked set visuals have quickly triggered comparisons with Ranveer’s look in Dhurandhar, with some fans joking that his character Jaskeerat Singh Rangi has returned. However, there is currently no indication from the filmmakers that the two characters are connected. (The Times of India)

Ranveer sports rugged, long-haired look

The pictures and videos emerging from the Mumbai shoot show Ranveer in a markedly different appearance. He has longer, unkempt hair, facial hair and a weathered look that appears suited to the film’s post-apocalyptic setting.

In one video, Ranveer is seen walking alongside Kalyani Priyadarshan and other people while carrying a child on his back. The visuals also feature a dusty environment, damaged-looking roads and abandoned vehicles, adding to the survival-thriller atmosphere. (Moneycontrol)

The identity of the child and the relationship between the character and the child have not been revealed by the makers.

Fans connect the look with ‘Dhurandhar’

Ranveer’s long hairstyle immediately reminded several social media users of his appearance as Jaskeerat Singh Rangi in Dhurandhar.

In the film, Ranveer initially appears as undercover Indian operative Hamza Ali Mazari before the character’s real identity is revealed as Jaskeerat Singh Rangi. The similarity in hairstyle has led to fan speculation, but the comparison remains just that—a fan theory.

There is no reported official connection between Dhurandhar and Pralay, and the latter is being developed as a separate post-apocalyptic survival story.

Kalyani Priyadarshan spotted alongside Ranveer

Malayalam actor Kalyani Priyadarshan is also visible in the newly surfaced footage. The project marks her Hindi film debut after her recent recognition for Lokah. She had previously shared an update from the Pralay sets, confirming her involvement in the production. (Cinema Express)

Her appearance alongside Ranveer in the leaked footage has further increased curiosity around their characters and their role in the film's survival narrative.

‘Pralay’ set in a post-apocalyptic world

Directed by Jai Mehta, Pralay is being described as a post-apocalyptic zombie action or survival thriller. Reports indicate that the story is set in a dystopian version of Mumbai following a catastrophic outbreak.

The film is expected to combine survival drama with large-scale action and VFX-heavy sequences. Earlier reports had indicated plans for extensive shooting outside India, although production has already been underway in Mumbai. (The Hollywood Reporter India)

The first set visuals now offer audiences an early glimpse of the world the filmmakers are attempting to create.

Film went on floors in Mumbai

Pralay officially began filming in Mumbai in August, with Ranveer and Kalyani among the principal cast members. Kalyani had also confirmed her involvement through a social media update from the sets in late August. (Cinema Express)

The newly leaked footage appears to have come from the ongoing Mumbai schedule. The makers have yet to officially release a full first look or detailed character information.

Ranveer’s next major departure after ‘Dhurandhar’

The project comes after Ranveer’s recent work in the Dhurandhar franchise and represents a move into a different genre. Instead of a conventional action setting, Pralay is built around a world where characters are fighting to survive amid a post-apocalyptic crisis.

For now, the leaked look has done exactly what early set footage often does—it has generated speculation without revealing the central story. Whether Ranveer’s character is a survivor, protector or something else will become clearer only when the filmmakers release more official information.

Punjabi singer and actor Diljit Dosanjh drew praise online after a respectful interaction with a foreign fan at his Milan concert, where he noticed his name printed alongside the sacred Sikh symbol and phrase ‘Ik Onkar’ on the fan’s T-shirt.

Rather than reacting angrily, Diljit explained the religious significance of the symbol and asked the fan not to associate his name with it. He also told the audience that the fan may not have understood the significance and urged them to forgive him. The incident, captured on video, has since gone viral. 

Fan invited on stage during Milan concert

The incident took place during Diljit’s recent concert in Milan, Italy, as part of his international tour. A foreign fan accompanied by a woman was invited onto the stage.

The fan was wearing a customised white T-shirt featuring ‘Ik Onkar’ alongside Diljit’s name. After noticing the design, Diljit pointed towards the shirt and began explaining why the two should not be placed together. 

Diljit explains why his name should not be beside ‘Ik Onkar’

In the video, Diljit can be seen calmly explaining the significance of the symbol. He indicated that ‘Ik Onkar’ is sacredand that his own name should not be placed alongside it.

He also made it clear that he respected the fan’s feelings and did not appear to interpret the design as an intentional act of disrespect. His response focused on explaining the religious significance rather than publicly reprimanding the fan. 

Singer asks audience to forgive the fan

After explaining the issue, Diljit brought the fan towards the centre of the stage and addressed the audience.

He asked people to forgive the fan, suggesting that the person may simply not have known about the significance of the symbol. Diljit also acknowledged the fan’s intentions and treated the interaction as an opportunity to explain rather than embarrass him. 

The fan subsequently folded his hands and apologised on stage.

Fan later apologises on social media

The fan also addressed the incident in the comments section of an Instagram video showing the interaction.

According to reports, he said he had not realised how close Diljit’s name was to the Ik Onkar symbol when the T-shirt was designed. He also said that he had no intention of hurting anyone’s sentiments and that the symbol was personally meaningful to him because he had regularly visited gurdwaras. 

His explanation added context to the incident and indicated that the placement on the shirt was not intended as a religious provocation.

Diljit’s response wins praise online

The video has generated largely positive reactions on social media, with viewers praising Diljit for addressing a potentially sensitive religious issue without humiliating the fan.

Many users focused on the singer’s decision to explain the issue calmly and then ask the audience to forgive the visitor. The fan’s willingness to apologise has also been noted in reactions to the viral footage.

The episode also highlighted how international audiences are increasingly engaging with Punjabi music and Sikh cultural symbols as Indian artists take their music to global stages.

Diljit continues his international tour

The Milan concert was one of the European stops on Diljit’s ongoing international tour. The singer has been performing across Europe and the UK, with recent appearances reported in cities including Berlin and Prague before the Milan show. 

The incident has now become one of the more widely discussed moments from the tour—not because of a performance, but because of the way Diljit handled a culturally sensitive misunderstanding.

CM declares J&K open to global filmmakers; highlights J&K's film policy, single-window clearance and incentives

Chief Minister Omar Abdullah today inaugurated the first International Film Festival of Jammu & Kashmir (IFFJK) at the Sher-i-Kashmir International Convention Centre (SKICC), marking a new chapter in Jammu & Kashmir’s long and enduring relationship with cinema.

The four-day festival brings together filmmakers, artists, delegates and cinema enthusiasts from across the world, with participation from over 30 countries and more than 130 films being showcased during the festival.

Describing the inaugural edition of IFFJK as more than a celebration of cinema, the Chief Minister said the festival shall portray Jammu & Kashmir’s as a vibrant and alluring destination for filmmakers, storytellers and creative talent from across India and the world.

“Today, as we launch this festival, bringing together filmmakers from over 30 countries and showcasing over 130 extraordinary films, we are not just opening a cinema event. We are opening a new chapter in the longstanding romance between Jammu & Kashmir and the silver screen,” the Chief Minister said.

Welcoming the distinguished guests, filmmakers and delegates, Omar Abdullah said Kashmir was a place where stories were not merely hosted but born.

“To stand here today, under the majestic shade of the Chinar trees, surrounded by the sentinel peaks of the Himalayas, is to be reminded that some places on earth do not merely host stories—they are born of them,” he said.

Referring to Kashmir’s enduring appeal to filmmakers, the Chief Minister described the region as “the world’s most breathtaking natural canvas” and said the launch of the festival was an assertion that Jammu & Kashmir was ready to welcome the global creative community.

“We are declaring to the world that Kashmir is not just a location on a call sheet; it is a creative sanctuary, a home for global storytellers, and a voice that is ready to speak to the world,” he said.

Recalling the deep imprint of Jammu & Kashmir on Indian cinema, the Chief Minister said the region had provided the backdrop for some of the most memorable moments in the history of the silver screen.

He recalled the iconic portrayal of Kashmir in films such as Junglee, Kashmir Ki Kali, Aradhana and Bobby, noting how the landscapes of Gulmarg and Dal Lake became part of the visual imagination of generations of Indians.

Referring to Shammi Kapoor’s iconic sequence in Junglee, Omar Abdullah said the famous “Yahoo!” moment on the snow-covered slopes of Gulmarg had come to symbolise an entire generation’s idea of joy and freedom.

He also recalled the imagery of Sharmila Tagore against the waters of Dal Lake in Kashmir Ki Kali and the youthful romance of Rishi Kapoor and Dimple Kapadia in Bobby, including the iconic Bobby Hut in Gulmarg.

The Chief Minister particularly acknowledged the contribution of legendary filmmaker Yash Chopra in creating a distinct cinematic language around Kashmir.

“Directors like Yash Chopra did not just film here—they built a visual language around this land,” he said, referring to films including Silsila, Kabhi Kabhie and Jab Tak Hai Jaan.

He said the changing seasons of Kashmir—from the vivid greens of spring and golden hues of autumn to the quiet white of winter—had enabled filmmakers to mirror the entire spectrum of human emotions.

Omar Abdullah also referred to the evolution of cinema in Kashmir in more recent decades, citing films such as Mission Kashmir, Haider, Rockstar, Highway and Bajrangi Bhaijaan.

He praised filmmakers Vidhu Vinod Chopra, Vishal Bhardwaj, Imtiaz Ali and Kabir Khan for bringing different dimensions of Kashmir to the screen, while observing that cinema in the region had increasingly moved beyond conventional representations to explore deeper and more nuanced human narratives.

Recalling some of his favourite Hindi film songs shot in Jammu & Kashmir, the Chief Minister spoke fondly of Kabhi Kabhie Mere Dil Mein, picturised on Amitabh Bachchan and Rakhee; Tere Bina Zindagi Se from Aandhi, featuring Sanjeev Kumar and Suchitra Sen against the backdrop of Martand Temple; and Yeh Vaada Raha, filmed at the Shiv Temple in Gulmarg.

“Do not just film our mountains; seek out our stories”

The Chief Minister emphasised that Jammu & Kashmir’s appeal to cinema extended far beyond its landscapes.

“Cinema is more than landscapes; cinema is culture. And the true beauty of Jammu and Kashmir lies in its soul—its cultural ethos, built on Kashmiriyat, warmth, hospitality, and a rich artistic tradition,” he said.

Describing Jammu & Kashmir as a land of storytellers, Omar Abdullah highlighted its rich traditions of music, crafts and oral storytelling, including the Santoor and Rabab, Sufiyana Kalam and Rouff.

He also drew attention to the region’s renowned craftsmanship, including walnut wood carving and the intricate art of carpet weaving, as well as its distinctive culinary and cultural traditions represented by Kahwa and the saffron fields of Pampore.

Addressing filmmakers participating in the festival, he urged them to explore the region’s living culture and people rather than restricting their lens to its mountains and scenic beauty.

“When you bring your cameras to Jammu and Kashmir, do not just film our mountains. Seek out our stories. Talk to our artisans, listen to our musicians, walk through our old city lanes, and let the living, breathing culture of this land infuse your narratives,” he said.

The Chief Minister said nostalgia alone could not build a sustainable film industry and stressed the need for a modern ecosystem capable of supporting filmmakers through the entire production process.

“Under our comprehensive Jammu & Kashmir Film Policy, we have transformed J&K from a beautiful location into one of the most filmmaker-friendly destinations in the world,” he said.

Highlighting the key provisions of the policy, Omar Abdullah said Jammu & Kashmir has introduced a single-window clearance system to simplify the process of obtaining permissions for film shooting.

Through a dedicated online portal, filmmakers can seek necessary permissions, including location approvals and security coordination, through a streamlined mechanism involving designated nodal officers.

He said the policy also provides financial incentives and production subsidies for filmmakers shooting in J&K, with support linked to shooting days and local expenditure, covering independent filmmakers as well as larger productions.

The policy, he added, also seeks to strengthen local participation in the film industry by incentivising productions that employ local artists, technicians and crew members and promote the cultural heritage of Jammu & Kashmir.

“We are building a robust local workforce of cinematographers, line producers, sound engineers, and actors so that you can arrive with a script and find everything else right here,” the Chief Minister said.

He further announced the government’s intent to invest in modern post-production facilities, equipment banks, film studios and film education institutions across Jammu & Kashmir, with the objective of creating a complete, end-to-end production ecosystem.

The Chief Minister said the government was treating cinema not merely as entertainment but as an industry capable of generating employment, nurturing young talent and building bridges between cultures.

“This festival belongs to our young people”

Calling the first edition of IFFJK a “declaration of intent”, Omar Abdullah said the festival would provide an important platform for young people of Jammu & Kashmir to engage with filmmakers and creative professionals from across the world.

“Over the next four days, as you watch films from every corner of the world, engage in master-classes, panel discussions, and casual conversations over tea, I urge you to look beyond the screen,” he said.

Pointing towards the young people attending the festival, he said Jammu & Kashmir’s youth were passionate, creative and digitally connected, with aspirations to become writers, directors, actors and other professionals in the creative industries.

“This festival belongs to them as much as it belongs to our distinguished international guests,” he said.

The Chief Minister urged international and national delegates to take the experience of Jammu & Kashmir back with them and share the message that the region was ready to welcome filmmakers and production crews.

“Carry a piece of J&K back in your hearts. Tell your fellow filmmakers that Kashmir is open, safe, vibrant, and eager to welcome your crews,” he said.

He also encouraged local youth to use the festival as an opportunity to discover new possibilities and tell their own stories.

“Your stories matter. Your voices matter. The world is listening, and now, the world’s screen is right here in your home,” Omar Abdullah said.

Concluding his address, the Chief Minister described cinema as a universal language that transcends borders and connects people through shared human experiences.

“Let us celebrate the magic of cinema—the universal language that knows no borders, requires no translation of the heart, and reminds us of our shared humanity,” he said.

He then formally declared the 1st International Film Festival of Jammu and Kashmir open.

Union Minister of State in the Prime Minister’s Office, Dr Jitendra Singh; several Governors and Lieutenant Governors; Council of Ministers; former J&K Chief Minister Dr Farooq Abdullah, Members of J&K Legislative Assembly; filmmakers, eminent artists, members of the jury and other distinguished guests attended the inaugural ceremony.

The big-screen adaptation of the popular crime drama franchise ‘Mirzapur: The Movie’ has registered a strong weekend at the box office, bringing the film closer to the ₹100 crore collection mark.

The film, featuring Pankaj Tripathi, Divyenndu and Ali Fazal in key roles, benefited from the popularity of the original streaming series and the loyal fan base built around its characters. The strong weekend numbers have boosted expectations around its theatrical run.

‘Mirzapur: The Movie’ expands the world of the hit franchise, which became widely popular for its intense storytelling, powerful dialogues and memorable characters. The return of familiar faces from the series played an important role in attracting audiences to theatres.

Pankaj Tripathi’s Kaleen Bhaiya, Ali Fazal’s Guddu Pandit and Divyenndu’s Munna Tripathi have been among the most recognised characters from the franchise, creating significant anticipation for the film.

The film’s box office performance comes at a time when franchise-based films continue to draw audiences due to their existing fan following and familiarity. The theatrical release also marks an important transition for a story world that originally gained popularity through digital platforms.

The makers and trade analysts are now closely tracking the film’s performance during the weekdays, which will determine whether it can cross the ₹100 crore milestone in its first theatrical run.

‘Mirzapur’ first emerged as a major success in the Indian streaming space, with multiple seasons creating a strong cultural impact among viewers. The film version aims to bring the same characters and world to a larger cinematic format.

Further box office updates are expected asthe film continues its theatrical journey.

The title glimpse of Nandamuri Balakrishna’s upcoming film ‘Dada’ has been unveiled, with the makers announcing that the movie will arrive in theatres on December 24, 2026.

The glimpse introduced the film’s title and offered a first look at the tone and scale of the project. The makers presented Balakrishna in a powerful avatar, building anticipation among his fans ahead of the theatrical release.

Balakrishna, popularly known as Natasimha, is one of the most prominent stars of Telugu cinema. Over his decades-long career, he has appeared in several action dramas and commercial entertainers that have established his strong fan following across Andhra Pradesh and Telangana.

‘Dada’ is expected to continue the actor’s association with mass-oriented cinema, although the makers have kept detailed information about the storyline and character details under wraps.

The film’s title glimpse release has generated interest among fans, who have been waiting for updates about Balakrishna’s next big-screen appearance. The production team is expected to reveal more details, including the trailer launch timeline and additional promotional plans, closer to the release date.

Balakrishna’s recent projects have continued to attract attention at the box office, with audiences particularly following his action-driven roles and larger-than-life screen presence.

With a December 24 release date, ‘Dada’ will enter theatres during the year-end holiday period, a window often considered important for major commercial releases.

Further updates about the film’s cast, crew and promotional campaign are awaited.

Bollywood actor Parineeti Chopra’s upcoming mystery thriller ‘Shaque: Trust No One’ has locked its release date for September 2026. The makers announced the theatrical arrival of the film, adding another suspense drama to the Hindi film calendar.

The film will feature Parineeti Chopra in the lead role and is expected to revolve around themes of suspicion, hidden truths and relationships tested by doubt. The makers have kept major plot details under wraps to maintain the mystery around the project.

‘Shaque: Trust No One’ is positioned as a thriller that explores the complexities of trust and deception. The title itself hints at a story where characters may face uncertainty over who can be believed.

Parineeti Chopra has previously appeared in a range of genres, including romantic dramas, comedies and intense performances. With this project, the actor returns to the mystery-thriller space, a genre that relies heavily on suspense, character-driven storytelling and unexpected twists.

The makers have not yet revealed the complete cast details, trailer launch date or the full promotional schedule for the film. More information is expected to be released as the September theatrical release approaches.

Mystery thrillers have remained a popular genre in Indian cinema, with audiences often showing interest in films that combine emotional drama with suspenseful narratives.

The September release will place ‘Shaque: Trust No One’ among the upcoming Bollywood films competing for audience attention during the festive and post-monsoon movie season.

The upcoming Bollywood film ‘Tera Sai’, starring veteran actor Sanjay Mishra, is set to release in theatres on February 5, 2027. Ahead of the announcement, the film’s team visited Shirdi to seek blessings at the Sai Baba temple.

The makers shared details of their visit, highlighting the spiritual significance of Shirdi in connection with the film’s theme. The team offered prayers at the shrine and sought blessings for the journey of the upcoming project.

‘Tera Sai’ is centred around the life and teachings of Sai Baba of Shirdi, one of the most revered spiritual figures in India. The film aims to bring his message of faith, compassion and humanity to audiences through cinema.

Sanjay Mishra, known for his versatile performances across Hindi films, will play a key role in the project. The actor has previously been recognised for his work in both mainstream and critically acclaimed films, often portraying characters with emotional depth.

The makers have not yet revealed the complete details of the cast, storyline adaptation or other production aspects. Further announcements regarding the trailer, promotional campaign and additional cast members are expected closer to the release date.

The Shirdi visit adds a spiritual dimension to the film’s promotional journey, as projects based on religious and cultural figures often connect closely with audiences through themes of devotion and faith.

Sai Baba of Shirdi’s teachings continue to have a wide following across India and abroad. Shirdi, located in Maharashtra’s Ahmednagar district, remains one of the country’s most visited pilgrimage destinations, attracting devotees throughout the year.

With its release planned for early 2027, ‘Tera Sai’ will be among the upcoming Hindi films exploring India’s spiritual and cultural narratives on the big screen.

Bollywood actor Vikrant Massey met Union Minister for Road Transport and Highways Nitin Gadkari in Nagpur, describing the meeting as a “truly a pleasure” experience.

Massey shared a glimpse of the interaction on social media, expressing his gratitude after meeting the senior BJP leader. The actor’s post highlighted his appreciation for the opportunity to meet Gadkari.

The meeting took place in Nagpur, Gadkari’s political base and the headquarters of Maharashtra’s Vidarbha region. The Union minister represents the Nagpur Lok Sabha constituency.

While details of the conversation between the actor and the minister were not disclosed, the meeting comes amid Massey’s continued presence in the entertainment industry following a series of critically acclaimed performances.

Vikrant Massey has built a reputation for choosing diverse roles across films and digital platforms. His performances in projects such as 12th Fail, which received widespread appreciation, have strengthened his position among India’s emerging actors.

Nitin Gadkari, meanwhile, continues to hold a key position in the Union government, handling the Ministry of Road Transport and Highways. He has been associated with major infrastructure initiatives, including highway expansion and road connectivity projects across India.

The actor’s meeting with the Union minister quickly became a talking point among fans and followers, with many reacting to the shared photographs and message.

No official statement has been issued regarding any specific collaboration, announcement or policy discussion linked to the meeting.

The Movie witnessed an unexpected moment during a screening in Delhi when actor Ali Fazal, known for playing Guddu Pandit, entered the cinema hall and surprised the audience.

The actor appeared while viewers were watching the film’s climax, creating excitement among fans who were not expecting his arrival. Surrounded by security personnel, Fazal waved at the audience and expressed gratitude for the love shown towards the movie and his character.

The surprise appearance quickly became a memorable moment for cinemagoers, with fans describing the actor’s entry as a “goosebumps moment”. One audience member said that watching Guddu Bhaiya appear in front of them after enjoying the film was an experience they would remember.

Ali Fazal’s character Guddu Pandit has been one of the most popular faces of the Mirzapur franchise since the web series became a major success. The character’s journey from an ambitious young man to a powerful figure became one of the key storylines that connected with audiences.

The theatrical release of Mirzapur: The Movie has generated strong audience interest, driven by the popularity of the original series and its returning cast members. The film features actors including Pankaj Tripathi, Ali Fazal, Divyenndu and Ravi Kishan.

The film’s early box-office performance has also reflected the franchise’s popularity, with reports indicating a strong opening after its theatrical release.

For fans, Fazal’s theatre visit added a personal touch to the release experience, turning a regular movie screening into an interaction with one of the franchise’s most recognisable characters.

Global music icon Beyoncé surprised fans on her 45th birthday with the release of a remastered version of her second studio album B’Day, celebrating two decades of the record that played an important role in shaping her solo career.

Originally released in 2006, B’Day became one of Beyoncé’s most successful albums and included popular tracks such as “Irreplaceable”, “Déjà Vu” and “Get Me Bodied”. The new anniversary edition revisits the album with refreshed audio quality, additional songs and upgraded visuals.

The expanded release includes previously unheard material, Spanish-language recordings and special collaborations. Among the highlights are “Can I Watch You” featuring Pharrell Williams and a Spanish version of “Irreplaceable” featuring vocals connected with late Tejano singer Selena Quintanilla.

Beyoncé also released improved versions of music videos associated with the album, including a restored and upgraded version of “Déjà Vu” featuring Jay-Z. The visuals have been remastered and enhanced with 4K treatment as part of the anniversary project.

Reflecting on the making of B’Day, Beyoncé said she wanted the album to have a powerful, energetic sound while combining elements of R&B and hip-hop. She highlighted the importance of live instrumentation and strong vocal arrangements in creating the album’s identity.

Released when Beyoncé was 25, B’Day represented an important phase in her evolution as a singer, songwriter and performer. The album helped establish her as a major solo artist after her successful years with Destiny’s Child.

The anniversary edition also reflects Beyoncé’s continued focus on visual storytelling and cultural influences. The project includes rare images and tracks that revisit themes of confidence, independence and artistic growth that were central to the original album.

The release allows longtime fans to experience a familiar album with new additions while introducing a younger audience to one of the defining records of Beyoncé’s early solo career.