As Aryan arrived at the party, a large crowd gathered near the entrance hoping to catch a glimpse of him. Several fans attempted to click selfies and record videos as he made his way inside. During the commotion, one fan reportedly lost balance and fell to the ground.

A video from the venue, which quickly surfaced on social media, showed Aryan immediately stepping forward to help the individual. He paused, checked on the fan and assisted him before moving ahead. The gesture received widespread praise online, with many users appreciating what they described as Aryan’s calm and considerate response in a crowded situation.

Social media platforms were soon flooded with reactions. Several users commented that Aryan’s actions reflected humility and good upbringing, while others said the brief interaction revealed a side of him rarely seen in public appearances.

The event was hosted to celebrate Raghav Juyal’s birthday. The actor, known for his work in television, films and dance reality shows, turned 35 on July 10. He welcomed friends and colleagues from across the entertainment industry for the gathering.

Among the guests were singer-rapper Badshah, actress Shehnaaz Gill, actors Sanya Malhotra, Mona Singh, Ameesha Patel and Sanjay Kapoor, along with comedian Munawar Faruqui. Photographs and videos from the party showed the celebrities arriving in a mix of formal and casual outfits as they joined the celebrations.

Raghav himself was seen in an all-black suit while posing for photographers outside the venue. Several guests also shared moments from the evening on social media.

Another video featuring Aryan Khan later gained attention online. In the clip, he could be seen inside a crowded lift after the event. Surrounded by several people, Aryan appeared to sit down inside the lift to make space amid the congestion. The footage added to the online discussion around his low-profile public persona.

As the party concluded, Aryan attempted to leave quietly. However, the crowd gathered outside the venue once again, prompting security personnel to escort him through the area. Videos showed Aryan walking ahead while Raghav Juyal and Shehnaaz Gill followed behind. One clip also captured Shehnaaz holding Raghav’s hand as they exited the venue.

Aryan and Raghav share a professional connection as well. Raghav has worked in Aryan Khan’s upcoming directorial project, The Ba**ds of Bollywood*, a series that has generated significant curiosity among audiences because it marks Aryan’s debut as a director.

Meanwhile, Raghav Juyal is preparing for the release of his upcoming film Bhai Tera Star Hai. The trailer was released recently and features him in a comic role. Directed by Vivek B. Agrawal, the film also stars Sanjay Kapoor, Chandan Roy Sanyal, Barkha Singh, Tina Desai and Vivaan Bhatena. It is scheduled to hit theatres on July 30.

While the birthday celebration brought together several familiar faces from the industry, it was Aryan Khan’s spontaneous act of helping a fan that emerged as the most talked-about moment from the evening.

Television actress Divyanka Tripathi and her husband Vivek Dahiya have put to rest swirling rumours that claimed the couple opted for IVF to welcome their twin baby boys. The actress, who recently became a mother, has clarified that she conceived naturally.

The couple welcomed their twins in late May, triggering an outpouring of congratulatory messages from fans and colleagues in the television industry. However, within days, social media platforms saw a wave of unverified posts and videos suggesting the pregnancy involved medical fertility treatments. 

Rumours Spread Rapidly Online

Initial reports indicate that several unverified handles circulated claims about the couple’s journey to parenthood. Many implied that Divyanka had undergone In Vitro Fertilisation (IVF), a narrative that gained traction quickly despite lacking any confirmation from the family.

According to media reports, both Divyanka and Vivek addressed the speculation, confirming the actress conceived naturally. The clarification came after the false narrative had already drawn considerable attention.

Divyanka’s Joyous New Chapter

The arrival of the twin boys has been a moment of celebration for the popular Yeh Hai Mohabbatein star. Fans have flooded social media with warm wishes, while several television celebrities also extended their greetings. The couple, who tied the knot in 2016, had often spoken about their desire to start a family.

This episode has once again highlighted how quickly misinformation travels, especially around high-profile pregnancies in the entertainment world.

Bollywood’s Growing Openness on Fertility Treatments

While Divyanka Tripathi’s case involved false claims, several Bollywood celebrities have been candid about choosing IVF and surrogacy for parenthood. Their openness has played a role in reducing the stigma around fertility struggles.

Shah Rukh Khan and Gauri’s Surrogacy Journey

One of the most discussed cases remains that of Shah Rukh Khan and Gauri Khan, who welcomed their third child, AbRam, in 2013 through surrogacy following IVF. At the time, public conversations around celebrity surrogacy in India were limited. The couple has since balanced public appearances with their son while maintaining privacy on personal matters.

Aamir Khan and Kiran Rao’s Experience

Filmmaker Aamir Khan and Kiran Rao welcomed son Azad Rao Khan in 2011 through IVF and surrogacy. The couple had spoken about facing conception challenges and expressed gratitude for medical advancements that made parenthood possible.

Karan Johar’s Single Parenthood

Director Karan Johar became a single father to twins Yash and Roohi in 2017 via surrogacy. Johar has frequently shared how the decision transformed his life, often posting heartfelt moments with his children on social media.

Shilpa Shetty and Preity Zinta’s Stories

Actress Shilpa Shetty and husband Raj Kundra welcomed daughter Samisha in 2020 through surrogacy after facing health complications. Shilpa has publicly thanked medical science for the opportunity.

Similarly, Preity Zinta and Gene Goodenough welcomed twins Jai and Gia in 2021 after fertility treatments and surrogacy. Preity expressed thanks to the medical team involved.

Other Notable Celebrities

Filmmaker Farah Khan became a mother to triplets at 43 through IVF in 2008. Television producer Ekta Kapoor welcomed son Ravie in 2019 as a single mother via IVF and surrogacy. Actor Tusshar Kapoor also chose single fatherhood, welcoming son Laksshya in 2016 through similar means.

Changing Societal Conversations

Experts note that lifestyle changes, delayed marriages, and rising awareness have increased the acceptance of assisted reproductive technologies in India. Doctors, however, caution against believing unverified social media claims about celebrities’ private medical matters.

Divyanka Tripathi’s clarification serves as a reminder of the need for responsible reporting and consumption of news. As the couple settles into parenthood, their story adds to the growing dialogue around natural conception as well as medical options for those who need them.

Medical professionals believe that celebrities sharing their journeys—whether through natural conception or assisted methods—helps normalise fertility discussions and encourages couples to seek timely help without shame.

Cricket fans in Chhattisgarh are gearing up for a high-voltage clash as Royal Challengers Bengaluru and Kolkata Knight Riders face each other at the Shaheed Veer Narayan Singh Stadium in Raipur on Wednesday evening. The much-anticipated match is scheduled to begin at 7:30 pm and has generated massive excitement among spectators across the region. There is also strong buzz surrounding the possible arrival of Bollywood actor and Kolkata Knight Riders co-owner Shah Rukh Khan, who may attend the match to support his franchise.

Rain Threat Looms Large

Even as excitement builds around the match, the weather department has predicted the possibility of thunderstorms and rainfall in Raipur during the evening hours. Officials are closely monitoring weather conditions as rain could potentially affect the game and crowd movement around the stadium.

The forecast has also raised concerns regarding traffic congestion and spectator management, especially with thousands of cricket fans expected to attend the encounter. Authorities said contingency arrangements are being kept ready in case of sudden weather disruptions.

Traffic Advisory Issued

Ahead of the RCB-KKR clash, Raipur Traffic Police released a detailed traffic and parking plan to manage heavy vehicular movement near the stadium. According to the advisory, spectators travelling from Raipur city will have to use the Telibandha police station route, National Highway-53, Serikhedi overbridge, and Naya Raipur road to reach the stadium. Officials stated that designated parking facilities have been arranged in the eastern section near Parsada and Kosa parking areas. In case the primary parking areas become full, additional arrangements have been made near Shri Satya Sai Hospital and Sendh Talab. Separate routes have also been planned for visitors arriving from Bilaspur, Balodabazar, Dhamtari, Jagdalpur, Durg-Bhilai, and Mahasamund.

Teams Prepare Intensely

Both Royal Challengers Bengaluru and Kolkata Knight Riders held intense practice sessions at the Raipur stadium ahead of the crucial match. Players focused heavily on power-hitting drills, death-over batting strategies, and fast scoring techniques during net sessions. Bowlers, meanwhile, practised yorkers, slower deliveries, and line-and-length execution for pressure situations in the final overs. Team managements appeared focused on adapting to local pitch conditions and evening weather factors ahead of the contest.

Fans Arrive in Large Numbers

Large crowds gathered outside the stadium during practice sessions to catch a glimpse of their favourite players. Security arrangements remained tight throughout the training period, with fans being allowed only in limited viewing areas. Police personnel and private security staff maintained strict monitoring around the stadium premises to prevent overcrowding and ensure smooth movement of spectators. Authorities expect attendance to rise significantly closer to match time due to strong public interest in the game.

Complaints Over Stadium Facilities

While excitement over the match remains high, several complaints regarding stadium management and spectator facilities have surfaced after the previous match held on May 10. Many spectators alleged that food and beverages were being sold at extremely inflated prices inside the stadium. Social media users claimed that a water bottle priced around Rs 20 in the market was sold for nearly Rs 150 inside the venue.

Similarly, pizza and snack items were reportedly sold at prices far higher than regular retail rates. Fans also complained that no official rate list was displayed at food counters, allowing vendors to charge arbitrary prices. The stadium management has not yet issued an official response regarding these allegations.

Network Failure Caused Chaos

Another major issue reported during the previous match was mobile network failure around the stadium area. Organisers had reportedly arranged temporary mobile towers to handle increased traffic during the event, but many spectators faced severe internet and connectivity problems.

The situation caused difficulties especially for fans carrying e-tickets, as QR codes reportedly failed to load on mobile devices at entry gates. Long queues and confusion were witnessed outside several entry points as spectators searched for better network signals to access their digital tickets. Officials are now expected to improve communication infrastructure ahead of Wednesday’s game to avoid similar disruptions.

Security Measures Tightened

Security arrangements have been strengthened following concerns raised during the earlier match. During the previous game, several individuals reportedly entered restricted areas despite barricades and fencing around the stadium premises. Eyewitnesses claimed that some youths climbed over metal barriers and fencing to gain entry into the venue. Crowd control reportedly became difficult at certain locations due to limited security manpower. This time, additional police deployment and stricter access monitoring have been arranged to prevent unauthorised entry and maintain order during the match.

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Cinema’s greatest legends and icons come together in a rare visual celebration as the Tuli Research Centre for India Studies (T.R.I.S.) presents an extraordinary series of exhibitions at the International Film Festival of Delhi (IFFD). Curated by pioneering arts archivist, author and institution-builder Neville Tuli, the exhibition brings together towering figures of world and Indian cinema alongside rare and vintage film art, memorabilia, posters and archives that trace the visual history of the medium.

From the quiet genius of Satyajit Ray to the mass appeal and love for the Cinema of Raj Kapoor, Dilip Kumar, Dev Anand & Shakti Samanta, to the enduring charm and stardom of Dharmendra and Sharmila Tagore to the epic grandeur of Mughal-E-Azam, and the contemporary superstardom of SRK, Salman Khan and Aamir Khan, the exhibition captures multiple eras of cinematic imagination under one roof.

One of the highlight Exhibitions is “The Golden Age of Hollywood, 1910–1960s,” which explores the evolution of cinema from the silent era to the rise of global stardom. The exhibition is positioned as part of a larger Indo-American cinematic dialogue and as a learning module within India Studies.

Another major showcase, “Highlights of Indian Cinematography, 1913–1973,” celebrates the pioneers behind the camera, featuring the work of legendary cinematographers including Faredoon A. Irani, Josef Wirsching, the Mistry Brothers, Radhu Karmakar, R.D. Mathur, V.K. Murthy, Dilip Basu, and Subrata Mitra, whose visual craft shaped the aesthetics of Indian cinema.

The exhibition “The Heart of Cinema as a Critical Educational Resource – The Song-Synopsis Booklet” revisits a fascinating film artefact that once served as both publicity material and audience guide. Today, these booklets stand as important educational resources that reflect how music and storytelling became inseparable from Indian cinema.

A spectacular display titled “Significant Artworks of Landmark Films of Bombay Cinema, 1940–80s” presents original artworks, hoardings and rare multi-sheet posters that once dominated the visual culture of Indian cities, from classics such as Sholay, Guide, Azaad, Pakeezah, Deewaar, and many others.

Another rare showcase, “The World of Satyajit Ray through the Lens of Nemai Ghosh, 1969–1990,” offers an intimate glimpse into the legendary filmmaker’s working life through rare still photographs captured across decades.

The global influence of film poster design is reflected in “Vintage Polish & Japanese Designed Posters, 1950–70s,” which highlights powerful graphic traditions that shaped international cinema publicity.

Among the most evocative presentations is “A Tribute to the Greatest Epic Indian Film – Mughal-E-Azam,” featuring memorabilia and visual material connected with the iconic film and its legendary cinematography.

The exhibition “From Trinity to Trinity to Trinity | Dev-Raj-Dilip to Ray-Ghatak-Sen to Salman-Aamir-SRK” traces how different cinematic trios have defined successive eras of Indian cinema, reflecting the changing idea of heroism and storytelling.

Additional exhibitions pay homage to major cinematic personalities including Dharmendra, filmmaker Shakti Samanta (1926–2026) and Sharmila Tagore, offering deeper insights into their artistic journeys and influence, and the first magnificent Exhibition ever held in India on a vast range of the uniquely Indian Film Jubilee Trophy from the 1950s to the 1990s.

Together, these twelve exhibitions bring together a vast constellation of film objects — posters, lobby cards, still photographs, booklets, pamphlets, memorabilia and Jubilee trophies — demonstrating how cinema’s life extends far beyond the screen and into the cultural imagination of audiences.

The initiative is anchored by the Tuli Research Centre for India Studies (T.R.I.S.), an independent charitable society and trust dedicated to advancing Contemporary India Studies. Through its pioneering digital platform tuliresearchcentre.org, the centre offers an open-access knowledge base structured across sixteen Research Categories spanning the arts, humanities, social and ecological sciences.

T.R.I.S. combines digital scholarship with physical archives, extensive library collections, exhibitions and live interactions with leading creative minds. The initiative also connects with the Vanraja Sanctuary and Hospice, a path-breaking initiative dedicated to the welfare of canine and feline children.

Through institutional collaborations and interdisciplinary engagement, the centre seeks to build the first structured Contemporary India Studies curriculum where visual, textual and audio materials are treated as equal sources of knowledge.

Neville Tuli says,
“Cinema has always been far more than the films we watch. It is a vast universe of visual memory — posters, publicity art, photographs, booklets and objects that carry the spirit of their time. Through these exhibitions we hope to re-introduce cinema as a powerful educational resource, where the visual becomes a serious source of knowledge and dialogue across disciplines. Our endeavour through T.R.I.S. is to help audiences, scholars and students rediscover the deeper intellectual and aesthetic worlds that cinema has created across generations, and relate such to all the arts, humanities and social sciences in a systematic manner.”

Filmmaker and choreographer Farah Khan has lifted the curtain on one of the darkest chapters in Bollywood's history — the years when organised crime had its shadow firmly cast over the Hindi film industry. Speaking candidly during a podcast conversation with Ranveer Allahbadia on March 14, 2026, Farah confirmed that the three biggest superstars of the 1990s — Shah Rukh Khan, Salman Khan, and Aamir Khan — all faced pressure from the underworld during that era. She also recalled a chilling incident involving a direct threat made to director Karan Johar just days before the premiere of his debut film Kuch Kuch Hota Hai.

'That Was the Darkest Era of Bollywood'

Farah did not mince words when describing what working in the film industry felt like in the early 1990s. She recalled the moment that first brought home the reality of how dangerous things had become — when she was on a film set around 1993 or 1994 and news broke that film producer Mukesh Duggal had been shot. The murder sent shockwaves through the entire industry.

"That was in the 90s. I remember I was on a set, I had just started my career, maybe '93 or '94, and Mukesh Duggal was shot," Farah recalled, describing how the news froze everyone and made it impossible to continue working as if nothing had happened.

She described the atmosphere on sets during that period as deeply unsettling — with a pervading sense that anyone in the industry could become a target at any moment, and that the underworld was watching, evaluating, and when it suited them, demanding.

All Three Khans Faced Underworld Pressure — Farah Confirms

When Ranveer Allahbadia asked directly whether Bollywood's biggest names of the era — Shah Rukh Khan, Salman Khan, and Aamir Khan — had been subjected to underworld pressure, Farah gave an unambiguous answer: "Yes."

She was careful to clarify what she personally knew and what she did not. When pressed on whether Shah Rukh Khan had personally received a call from the underworld, she said she could not confirm that specific detail. However, she made clear that the overall climate of fear and pressure applied to the biggest stars of the decade — and that none of them were entirely shielded from it simply by virtue of their fame.

Karan Johar's Terrifying Premiere Night

The most gripping moment of Farah's revelations centred on director Karan Johar and the premiere of Kuch Kuch Hota Hai in 1998 — one of the biggest films of that decade and Johar's directorial debut.

Farah recalled that Karan received a direct underworld threat in the days surrounding the premiere — and that the entire team was plunged into a state of genuine fear and uncertainty. "It was very scary. Everyone was discussing whether the premiere should be cancelled or we should go ahead with it," she said.

After intense deliberation, the decision was made to proceed with the premiere — but with a dramatically heightened security presence. "Security was beefed up and I think we went ahead with the premiere. Karan was very stressed. Imagine it is your first movie, but all you are thinking about is this," Farah said, painting a picture of what should have been the most celebratory night of a young filmmaker's career being overshadowed entirely by fear.

The 1980s: When Bollywood Lost Its Audience

Alongside her underworld revelations, Farah took a sweeping look at how Indian cinema evolved across the decades. She described the 1980s as the single worst era in the history of mainstream Hindi films — a decade she said was dominated by a tired, formulaic template of multi-hero films featuring familiar faces, with little creative ambition.

"We used to look down upon Hindi films. When we were in college, we used to only watch Hollywood films," she said, citing classics like Saturday Night Fever and Dirty Dancing as the kind of cinema her generation was drawn to. She described the prevailing quality of 1980s Bollywood as simply not good enough to hold a young audience's attention.

It was the 1990s, she said, that brought real change — new directors, new storytelling, a new generation of stars — even as those same years brought the underworld's dark influence to its peak.

Main Hoon Na 2 Rumours Dismissed

Farah also used the podcast appearance to address persistent social media rumours suggesting she was working on a sequel to her 2004 blockbuster Main Hoon Na with Shah Rukh Khan. She shut down the speculation firmly. "I have officially dismissed these claims, please do not believe unverified reports," she said. She hinted, however, that she is planning a return to film direction later in 2026 — possibly with a high-energy action comedy — once her children leave for college.