Born on December 14, 1924, into the Kapoor family, Raj Kapoor founded RK Films at just 24 and went on to become one of the most influential figures in Hindi cinema. As actor, director and producer, he used popular storytelling to address poverty, class divide and the struggles of the common man. Films such as Awaara, Shree 420 and Mera Naam Joker blended romance and humour with social commentary, earning him the tag of India’s “showman”.
His cinematic language, inspired by Charlie Chaplin, found audiences far beyond India. Awaara became a cultural phenomenon in the Soviet Union, selling an estimated 64 million tickets and ranking among the most-watched foreign films there. The film’s appeal also stretched across China, West Asia and parts of Africa. Raj Kapoor’s son Randhir has recalled former prime minister Atal Bihari Vajpayee telling the filmmaker about his immense popularity in China—an acknowledgment that surprised even Kapoor.
At home, his life was marked by contradictions. His celebrated on-screen partnership with Nargis translated into a deeply personal relationship that ended painfully, later reflected in the emotional undercurrents of his work. Professionally, Kapoor often put art before profit, most notably with Mera Naam Joker, which strained his finances but later gained critical respect.
Colleagues and associates have often spoken of his exacting work ethic and generosity on sets, where he was known to prioritise people over budgets. He mentored a generation of filmmakers and technicians, many of whom carried his influence forward.
More than three decades after his death, Raj Kapoor’s films continue to be revisited and reinterpreted. At 101, his legacy endures as that of a filmmaker who spoke in a popular idiom yet reached across bordersproof that honest cinema, rooted in human emotion, can travel far beyond language and geography.
