The project is a state-by-state journey across India’s handloom traditions, imagined as a living cultural map. Rhythm Wagholikar is gonna document the textiles of each state, focusing not only on fabric and technique but also on the communities, beliefs, and everyday lives connected to them. His writing will be shared digitally, making the stories accessible to readers across the world.
“In India, fabric is deeply connected to life,” says Wagholikar. “This project is my way of acknowledging the people and patience behind our handloom traditions.”
Adding a striking visual layer to the project is Prachi Dhabal Deb, known as the Royal Icing Queen of India and a World Book of Records London awardee. Using royal icing, she will recreate handloom patterns on cookies - translating borders, motifs, and colours from textiles into detailed edible art. Each piece will pay tribute to a specific regional fabric, from Patola and Chanderi to Pochampally ikat and Assamese muga silk and many more Indian fabrics.
“Royal icing gives me a new way to honour the discipline and beauty of Indian handlooms,” says Deb. “Every cookie reflects the care and skill of our weavers.”
Together, the duo plans to take the project beyond documentation. Through digital storytelling, curated exhibitions, and cultural spaces, they aim to turn handloom into a shared, interactive experience rather than a static tradition.
Both Wagholikar and Deb have been honoured at the House of Commons, London, by the World Book of Records London for their individual contributions to culture and creative work, recognition that reflects the global appeal of Indian heritage when told with authenticity.
At its heart, the collaboration is about keeping handlooms alive in everyday conversation, not just as heirlooms, but as living expressions of identity that continue to inspire today.
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